This anthropological investigation of dress featuring selected scholarly readings is ideal for courses focused on global perspectives and cultural aspects of dress.
Using Western and non-Western examples, 'The Visible Self' presents a systematic approach to analyzing these daily rituals that we all share - not simply the act of putting on clothing, but also cleansing the body and adorning it.
Aesthetics, and Dress - The Art of Creating Dress - Ideals for Individual Appearance and the Art of Dress - The Art of Dress: Conformity and Individuality - Dress and the Arts - Dress and the Future - Your Future and Dress - Readings from a ...
The Visible Self: Fashion and Dress Across Cultures
In this book, the author explores the two levels of the self, i.e., the visible self, which is the ego, and the invisible, original self, which is the divine, universal, eternal self (call it God, Atman, Allah, Dao or by any other name ...
The Visible and the Invisible contains the unfinished manuscript and working notes of the book Merleau-Ponty was writing when he died.
31 Brenda Silver , ed . , Virginia Woolf's Reading Notebooks ( Princeton : Princeton University Press , 1983 ) , pp . 124 , 133 . 32 Alfred Zimmern , The Greek Commonwealth : Politics & Economics in FifthCentury Athens ( London : Oxford ...
In this sequel to the megawatt best seller Visible Learning for Mathematics, John Almarode, Douglas Fisher, Nancy Frey, John Hattie, and Kateri Thunder help you answer that question by showing how Visible Learning strategies look in action ...
... past fully and authentically . However , such a trajectory misreads both the visual experience of aesthetic modernism and the conception of aesthetic autonomy ... past , it also points to the prospect of 92 THE ARCHITECTURE OF THE VISIBLE.
The 22 essays in this edited volume feature the work of leading Nigerian and American scholars and offer an in-depth, nuanced understanding of Kalabari textiles, aesthetics, and engagement with past and present global trade networks.
In the summer of 1961 Jaccottet notes in La Semaison lines from Supervielle , ' Nous sommes séparés / que par le frisson d'un tremble ... Dieu perdu dans l'herbe ' and ' La perte perpétuelle ' which clarify Jaccottet's poetic ambition .