This book invites readers into Elena Ferrante’s workshop. It offers a glimpse into the drawers of her writing desk, those drawers from which emerged her three early standalone novels and the four installments of My Brilliant Friend, known in English as the Neapolitan Quartet. Consisting of over twenty years of letters, essays, reflections, and interviews, it is a unique depiction of an author who embodies a consummate passion for writing. In these pages Ferrante answers many of her readers’ questions. She addresses her choice to stand aside and let her books live autonomous lives. She discusses her thoughts and concerns as her novels are being adapted into films. She talks about the challenge of finding concise answers to interview questions. She explains the joys and the struggles of writing, the anguish of composing a story only to discover that it isn’t good enough for publication. She contemplates her relationship with psychoanalysis, with the cities she has lived in, with motherhood, with feminism, and with her childhood as a storehouse of memories, material, and stories. The result is a vibrant and intimate selfportrait of a writer at work.
Named one of The Guardian's "Best Books of 2016" From the author of My Brilliant Friend This book invites readers into Elena Ferrante's workshop.
In a series of intertwined, original, and daring readings of Ferrante’s work and her fictional world, Sarah Chihaya, Merve Emre, Katherine Hill, and Jill Richards strike a tone at once critical and personal, achieving a way of talking ...
What she discovers will be more unsettling than she imagines, but will also reveal truths about herself, in this psychological mystery marked by “tactile, beautifully restrained prose” (Publishers Weekly) about mothers and daughters and ...
The subjects ranged from first love to climate change, from enmity among women to the experience of seeing her novels adapted for film and TV. Translated by Ann Goldstein, the acclaimed translator of Ferrante’s novels, and accompanied by ...
One of NPR’s Best Books of the Year. Readers of Elena Ferrante’s The Lost Daughter may recall the little doll—lost or stolen—around which that novel revolves. Here, Ferrante retells the tale from the doll’s perspective.
Frantumaglia is a collection of interviews and letters in which she discusses her controversial decision to remain out of the public eye, her thoughts on the art of writing, and the authors and books she admires.
In Finding Ferrante, Alessia Ricciardi revisits questions about Ferrante’s identity to show how the problem of authorship is deeply intertwined with the novels’ literary ambition and politics.
Reflections on reading and writing from the author of My Brilliant Friend.
The book proposes that Ferrante constructs a theory of feminine experience which serves as the scaffolding for her own literary practice.
Mack offers a wide-ranging exploration of the creative power of literary tradition, from the middle ages to the 21st century, revealing in new ways how it helps writers and readers make new works and meanings.