The essays collected in Jane Austen and the Arts; Elegance, Propriety, and Harmony examine Austen’s understanding of the arts, her aesthetic philosophy, and her role as artist. Together, they explore Austen’s connections with Edmund Burke, Adam Smith, Johann Wolfgang von Goethe, Madame de Staël, Joanna Baillie, Jean Jacques Rousseau, Mary Anne Schimmelpenninck, and other writers engaged in debates on the sensuous experience and the intellectual judgment of art. Our contributors look at Austen’s engagement with diverse art forms, painting, ballet, drama, poetry, and music, investigating our topic within historically grounded and theoretically nuanced essays. They represent Austen as a writer-thinker reflecting on the nature and practice of artistic creation and considering the social, moral, psychological, and theological functions of art in her fiction. We suggest that Austen knew, modified, and transformed the dominant aesthetic discourses of her era, at times ironically, to her own artistic ends. As a result, a new, and compelling image of Austen emerges, a “portrait of a lady artist” confidently promoting her own distinctly post-enlightenment aesthetic system.
This was the first book to provide a full-scale account of the writer based upon thoroughhistorical and biographical scholarship; and on the critical front, Mary Lascelles broke new ground in applying the ideas of Henry James on the 'art' ...
Karen Valihora, Austen's Oughts: Judgment after Locke and Shaftesbury (Newark: University of Delaware Press, 2010), 32. 37. Valihora, Austen's Oughts, 33. 38. Soni, “Preface,” xvi. 39. Many critics have noted this.
But fortunately Emma is a good person , and one is inclined to see her as Lady Granville saw Lady Osborne at about the same time : Lady Francis [ Osborne ] puzzles me to death . I am tempted to pencher to the admiring side .
The next section will reveal the degree to which those quivering moments embody in microcosm the spirit and structure of the ... Anne's "snug walk" with Admiral Croft at the end of chapter 6 is immediately followed by this paragraph, ...
This volume also explores her artistic afterlives in creative re-imaginings across different media, including adaptations and transpositions in film, television, theatre, digital platforms and games. [editor biographies]Joe Bray is ...
Jane Austen's Art of Allusion
All this suggests yet again that to Jane Austen the characters of Grandison were as imaginatively powerful to her as if they had been living friends . To animate her simple characters 10 one or two traits from Grandison suffice .
The Errand of Form: An Assay of Jane Austen's Art
Convention and the Art of Jane Austen's Heroines
On the work's influence, historical context, and critical reception. Paper edition, $7.95. Annotation copyrighted by Book News, Inc., Portland, OR