Metatheater and Modernity is the first book to link the concept of metatheater with those of baroque and neobaroque. It refines and probes these concepts through close analyses and comparisons of seventeenth- with twentieth-century plays. Authors discussed include Rotrou, Sartre, Kushner, Bernini, Shakespeare, Pirandello, Moliere, Giraudoux."
Rather than focus on what was expected from him, Williams worked on a filmic treatment of the Wingfield material which MGM unwisely turned down (Palmer and Bray 21). The provisional film version in question was published for the first ...
Edinburgh Critical Studies in Modernism, Drama and Performance Series Editor: Olga Taxidou Editorial Board: Penny Farfan ... Theatre, Cinema Anthony Paraskeva Irish Drama and the Other Revolutions: Irish Playwrights, Sexual Politics, ...
In this book, experts discuss the use of 'theatre' and 'metatheatre' to describe ancient Greek dramatic activities.
Lionel Abel's original Metatheatre, now published in the company of new essays, has inspired a whole generation of playwrights and critics since it first appeared in 1963. Indeed, to insiders...
Presence, Theatricality, and the Question of Modernity William Egginton ... METATHEATER If , as I want to claim , what we mean by " theater " is the modern theater , and that to designate as theater a spectacle from before the sixteenth ...
Argues that the experience of modernity is fundamentally spatial rather than subjective.
Knox has elsewhere referred to the passage as “a sort of Sophoclean Verfremdungseffekt” (“Oedipus Rex,” in Essays Ancient and Modern, p. ... See also Edmunds, Theatrical Space and Historical Place in Sophocles' Oedipus at Colonus, pp.
Intelligence and Metadrama in the Early Modern Theatre offers insight into why the early modern stage abounds with informer and intelligencer figures.
This book tells the story of modern drama through its seminal, groundbreaking plays and performances, and the artistic diversity that these represent.
In this book, Ling Hon Lam gives a deeply original account of the history of emotions in Chinese literature and culture centered on the idea of emotion as space, which the Chinese call “emotion-realm” (qingjing).