Women and Comedy: History, Theory, Practice presents the most current international scholarship on the complexity and subversive potential of women’s comedic speech, literature, and performance. Earlier comedy theorists such as Freud and Bergson did not envision women as either the agents or audiences of comedy, only as its targets. Only more recently have scholarly studies of comedy begun to recognize and historicize women’s contributions to—and political uses of—comedy. The essays collected here demonstrate the breadth of current scholarship on gender and comedy, spanning centuries of literature and a diversity of methodologies. Through a reconsideration of literary, theatrical, and mass media texts from the Classical period to the present, Women and Comedy: History, Theory, Practice responds to the historical marginalization and/or trivialization of both women and comedy. The essays collected in this volume assert the importance of recognizing the role of women and comedy in order to understand these texts, their historical contexts, and their possibilities and limits as models for social engagement. In the spirit of comedy itself, these analyses allow for opportunities to challenge and reevaluate the theoretical approaches themselves.
In We Killed, Kohen pieces together the revolution that happened to (and by) women in American comedy, gathering the country's most prominent comediennes and the writers, producers, nightclub owners, and colleagues who revolved around them.
Includes "more than fifty biographical sketches from the turn of the century to the present," including Marie Bressler, Sophie Tucker, Mabel Normand, Fannie Brice, Gracie Allen, Mae West, Minnie Pearl,...
First published in 1988, the 19 original essays (and three "Sylvia" cartoons) included in this volume deal with the gender-specific nature of comedy.
This book maps out this shift, providing an often brutally honest picture of women's lives in both the spotlight of comedy and this modern world.
Hysterical! Women in American Comedy delivers a lively survey of women comics from the stars of the silent cinema up through the multimedia presences of Tina Fey and Lena Dunham.
From legends like Lucille Ball, Joan Rivers, and Tina Fey to current comedy heroes like Issa Rae, Lena Waithe, Abbi Jacobson, and Tig Notaro, this beautifully illustrated book charts a rich lineage of women using humor to speak truth to ...
First published in 1992, the twenty-one original essays in this volume explore the way women have used humor to break down cultural stereotypes between the genders.
This book explores the comedy and legacy of women working as performers on the music-hall stage from 1880–1920, and examines the significance of their previously overlooked contributions to British comic traditions.
First published in 1992, the twenty-one original essays in this volume explore the way women have used humor to break down cultural stereotypes between the genders.
Judy Little develops a critical apparatus for identifying feminist comedy in recent fiction, especially the radical political and psychological implications of this comedy, and then applies and tests her theory by examining the novels of ...