Artist and writer Sarah Trigg embarked on an ambitious field expedition across the United States in 2009, interviewing more than two hundred artists in their studios. Through conversations with a wide spectrum of painters, performance artists, sculptors, photographers, video artists, and others, Trigg set out to investigate contemporary artmaking practices. The result is Studio Life, a fascinating photographic and written account of visits with one hundred of these artists, including William Wegman, Pat Steir, John Baldessari, Carol Bove, Rashid Johnson, Peter Halley, Fred Tomaselli, Tony Oursler, Jim Shaw, Michelle Grabner, Tauba Auerbach, Trenton Doyle Hancock, Dana Schutz, David Altmejd, and many others. Trigg asks her subjects to share the stories behind significant objects and working habits, focusing on six categories: mascots, collected objects, rituals, makeshift tools, residue, and habitats. These talismans and behaviors provide a framework for artists to reveal insights into their practices and the nature of the creative life. Intriguing and often humorous anecdotes emerge—of one studio's mysterious sealed vault, another's resident bunny—and countless sources of inspiration are unearthed: vintage comics, purses, and kitschy figurines; faded yearbooks and treasured cards and letters; and one handwritten reminder to "Quit Feelin' Sorry for Yourself." In addition, a visual index provides an image and biographical information for each artist. Accessible and relevant for amateur aesthetes and art-world professionals alike, Studio Life offers an insider's view of the artistic process, an alternative approach to understanding art, and a compendium of today's most compelling work.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...