Moscow, 1958: sixteen-year-old ballerina Svetlana’s dreams come true when she is invited to join the Bolshoi Ballet, but not is all as it seems. Now Svetlana is caught between the sinister worlds of very powerful people in the regime and the KGB, and the other world—one she was trying to escape through dance, the gift she’s been afraid of her entire life. The Bolshoi Saga: Svetlana is the third and final book in the series that is described as a feminist take on The Godfather, set in the world of Russian ballet. The year is 1958, and sixteen-year-old Svetlana is stuck in a Moscow orphanage designated for the unwanted children of Stalin’s enemies. Ballet is her obsession and salvation, her only hope at shedding a tainted family past. When she is invited to join the Bolshoi Ballet—the crown jewel of Russian culture and the pride of the Soviet Union—her dreams appear to have been realized. But she quickly learns that nobody’s past or secrets are safe. The dreaded KGB knows about the mysterious trances Sveta has suffered, inexplicable episodes that seem to offer glimpses of the past. Some very powerful people believe Sveta is capable of serving the regime as more than a ballerina, and they wish to recruit her to spy on the West as part of the nascent Soviet psychic warfare program. If she is to erase the sins of her family, if she is to dance on the world stage for the Motherland—if she is to survive—she has no choice but to explore her other gift. The story of teenage Svetlana, matriarch of three generations of ballerinas, is both the end and the beginning of the Bolshoi Saga. This title, and the debut, Dancer, Daughter, Traitor, Spy and its follow up, Hider, Seeker, Secret, Keeper can all be read as stand-alone novels, although reading all three will provide a deeper understanding of the often thrilling—and surprisingly dangerous—world of the Dukovskaya ballerinas.
The Bolshoi Saga: Lana Lana Dukovskaya is an up and coming talent at the Bolshoi Ballet, where her mother, Marina, also danced until her career came to a mysterious end.
A timely YA thriller—part John Le Carré and part The Americans—about a Bolshoi ballerina trapped by family secrets and a legacy of espionage.
Set in the tumultuous year leading up to the surprise overnight raising of the Berlin Wall in August 1961, and illustrated with dozens of real-life photographs of the time, Walls brings to vivid life a heroic and tragic episode of the Cold ...
Daniel J. Singal, The War Within: From Victorian to Modernist Thought in the South (Chapel Hill, 1982), 373. ... Pat Watters, Down to Now: Reflections on the Southern Civil Rights Movement (New York, 1971), 30. 43. 44. 45. 46. 47. 48.
Baltimore: Johns Hopkins University Press, 2000. Molinari, Massimo. The Culture of Food. Oxford: Blackwell, 1994. Muir, Edward. Mad Blood Stirring: Vendetta and Factions in Friuli during the Renaissance. Baltimore: Johns Hopkins ...
Memoirs of an American Prima Donna
Foster was a pale blond in his twenties; he made his moves with a prissy carefulness that was maddening. ... Benny Watts couldn't beat her, and some prissy graduate student from Louisville wasn't about to drive her.
This historical romance of the Spanish Main was first published in 1855, and in 1920 with the dramatic illustrations of N.C. Wyeth, who is famous for illustrating Treasure Island, The...
She had objected strenuously to the bell but to no avail. “It's so homey,” he had said with a grin. “Hokey is more like it,” she had replied. Of course, she couldn't complain too much; they both knew the real reason for the bell: his ...
‘The Brotherhood of Freedom’ is out to take over the world using airship warfare.