A groundbreaking exposé about the alarming use of rap lyrics as criminal evidence to convict and incarcerate young men of color Should Johnny Cash have been charged with murder after he sang, “I shot a man in Reno just to watch him die”? Few would seriously subscribe to this notion of justice. Yet in 2001, a rapper named Mac whose music had gained national recognition was convicted of manslaughter after the prosecutor quoted liberally from his album Shell Shocked. Mac was sentenced to thirty years in prison, where he remains. And his case is just one of many nationwide. Over the last three decades, as rap became increasingly popular, prosecutors saw an opportunity: they could present the sometimes violent, crime-laden lyrics of amateur rappers as confessions to crimes, threats of violence, evidence of gang affiliation, or revelations of criminal motive—and judges and juries would go along with it. Detectives have reopened cold cases on account of rap lyrics and videos alone, and prosecutors have secured convictions by presenting such lyrics and videos of rappers as autobiography. Now, an alarming number of aspiring rappers are imprisoned. No other form of creative expression is treated this way in the courts. Rap on Trial places this disturbing practice in the context of hip hop history and exposes what’s at stake. It’s a gripping, timely exploration at the crossroads of contemporary hip hop and mass incarceration.
Mac was sentenced to thirty years in prison, where he remains. And his case is just one of many across the US. Rap on Trial places this disturbing prosecutorial practice in the context of hip-hop history and exposes what's at stake.
Here’s what The Rap Year Book does: It takes readers from 1979, widely regarded as the moment rap became recognized as part of the cultural and musical landscape, and comes right up to the present, with Shea Serrano hilariously discussing ...
Drawing on years of reporting, more than one hundred interviews, dozens of hours in recording studios and immersive ride-alongs, a culture reporter for the New York Times delves into the flashy and fast-paced world of Atlanta rap, in this ...
This volume is essential reading for scholars and fans of hip hop, as well as those interested in the shifting relationship between democracy and popular culture.
A rapper spits rhymes into a microphone. A DJ scratches a record back and forth against a turntable needle. Fans' feet stomp along to a stiff beat. These are the sounds of hip-hop. Hip-hop music busted out of New York City in the 1970s.
DeLombard discusses how this consciousness was evident in the "trials" over slavery found in the autobiographies of Frederick Douglass, a scandal narrative about Sojourner Truth, a speech by Henry David Thoreau, fiction by Harriet Beecher ...
Taking the Rap: Women Doing Time for Society's Crime
This enhanced eBook includes: • Over 30 minutes of never-before-seen video* interviews with Jay-Z discussing the back-story and inspiration for his songs • Two bonus videos*: “Rap is Poetry” and “The Evolution of My Style” • ...
Revolution by the Book: (the Rap is Live)
For our early education, we walked to Ellis Elementary School (go Roadrunners!), and then we moved out to a more rural area, Parker, now a gigantic suburb that I barely recognize. They still have the old Pizza Hut, though, ...