Texas looms large: big skies, vast plains, large cities. The Lone Star State often inspires a heightened sense of place in its citizens that rivals or surpasses that of New Yorkers. This is frequently reflected in the art of Texas—paintings of bluebonnet fields, longhorn cattle, and scenes from the Texas frontier have long enjoyed popularity with collectors. Outsider artists, on the other hand, live and create on the fringes of culture and society. Generally removed from the influence of place, they prefer instead to chart their own, intensely personal, interior landscapes. They usually have little awareness of or connection to the mainstream art world or its history, and they typically possess limited intention that their work will have an audience or find a place in the broader landscape of art. Woven through the lives and work of outsider artists is a common thread of isolation. This isolation may be psychological, cultural, socioeconomic, geographical, racial, or institutionally imposed. Circumstances of life, chosen or not, have placed these artists apart. However, these artists, like their formally trained peers, find that they are compelled to make art; it is essential to their lives as a manifestation of their personal histories, societal and cultural forces, and an unfailing drive to express themselves. In Outsider Art in Texas: Lone Stars, author Jay Wehnert takes readers on a visually stunning excursion through the lives and work of eleven outsider artists from Texas, a state particularly rich in outsider artists of national and international renown.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...