In 2017, Huntsville artist Lee Jamison embarked on a trip with sketchbook in hand, recording his impressions and recollections of East Texas, a region he has called home for about 45 years. Having built a solid reputation as a respected Texas Regionalist painter, Jamison, with other collectors and observers of the Texas art scene, has become convinced that East Texas, while rich in natural beauty and historic interest, has typically been under-represented as a subject of serious artists. Landscapes and scenes of the Texas Hill Country and the Trans-Pecos abound in collections and galleries across the state, but East Texas, in Jamison’s view, has received short shrift. Seeking to remedy this lack of parity, the artist traveled the winding roads and tree-lined passages of East Texas for well over a year, observing, sketching, and journaling along the way. The result is an astonishing visual record of contemporary East Texas land, lore, and culture as viewed through the eyes of an accomplished painter. These fine works are further enriched by the artist’s poignant and insightful literary observations, providing backstories and personal accounts for each image. A thoughtful introduction by historian Carolina Castillo Crimm provides the ideal entry into Jamison’s loving treatment of the region’s vistas and stories. Exhibiting an unshakeable awareness of place and a poet’s sensibility, Lee Jamison’s Ode to East Texas stands as an affectionate hymn to a familiar region, an invitation to a new appreciation of its qualities. Collectors, students, and aficionados of Texas art will be grateful for this fresh examination of a region too long overlooked.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...