Melville: Fashioning in Modernity considers all of the major fiction with a concentration on lesser-known work, and provides a radically fresh approach to Melville, focusing on: clothing as socially symbolic; dress, power and class; the transgressive nature of dress; inappropriate clothing; the meaning of uniform; the multiplicity of identity that dress may represent; anxiety and modernity. The representation of clothing in the fiction is central to some of Melville's major themes; the relation between private and public identity, social inequality and how this is maintained; the relation between power, justice and authority; the relation between the "civilized" and the "savage." Frequently clothing represents the malleability of identity (its possibilities as well as its limitations), represents writing itself, as well as becoming indicative of the crisis of modernity. Clothing also becomes a trope for Melville's representations of authorship and of his own scene of writing. Melville: Fashioning in Modernity also encompasses identity in transition, making use of the examination of modernity by theorists such as Anthony Giddens, as well as on theories of figures such as the dandy. In contextualizing Melville's interest in clothing, a variety of other works and writers is considered; works such as Robinson Crusoe and The Scarlet Letter, and novelists such as Fenimore Cooper, Nathaniel Hawthorne, Henry James, Jack London, and George Orwell. The book has at its core a consideration of the scene of writing and the publishing history of each text.
The first of a two-volume biography of Melville traces his life from his childhood in New York, through his adventures abroad as a sailor, to his creation of Moby-Dick.
The complex author of the quintessential American masterpiece is demystified by a leading contemporary critic. Hardwick's novelistic flair reveals a former whaleship deck-hand whose voyages were the stuff of travel...
"Redburn charts the coming-of-age of Wellingborough Redburn, a young innocent who embarks on a crossing to Liverpool together with a roguish crew.
Hoffman was born in New York City, went to a harsh school in Poughkeepsie, returned home to be tutored, and suffered an accident requiring the amputation of his right leg (1817). He studied at Columbia (1821-1824) but failed courses and ...
A Poem and Pilgrimage in the Holy Land Herman Melville, Harrison Hayford Hershel Parker. snatched up the latest bulletins about General Custer from what the papers called the “Little Horn River.” Indeed, there were distractions enough ...
The fruit of decades of textual scholarship, this fourth and final volume of the Library of America Melville edition gathers for the first time in one volume all of Melville’s poems: the four books of poetry published in his lifetime, his ...
Melville inaccurately identifies the sculpture as George IV and places it in the wrong location. Although the pedestal for the sculpture of George III was formally dedicated in St. George's Square in 1809, general Liverpudlian ...
The first chapters cover Melville's life and the historical and cultural contexts. Melville's individual works each receive full attention in the third chapter, including Typee, Moby Dick, Billy Budd and the short stories.
Traces Melville's life from his childhood in New York, through his adventures abroad as a sailor, to his creation of "Moby-Dick," and forty years later, to his death, in obscurity
Describes the adventures of a sailor who jumps ship at a south sea island inhabited by cannibals, a voyage around Polynesia, and a quest for an elusive beauty among the islands of a tropical archipelago.