A pioneer of the New Queer Cinema, Todd Haynes (b. 1961) is a leading American independent filmmaker. Whether working with talking dolls in a homemade short (Superstar: The Karen Carpenter Story) or with Oscar-winning performers in an HBO miniseries (Mildred Pierce), Haynes has garnered numerous awards and nominations and an expanding fan base for his provocative and engaging work. In all his films, Haynes works to portray the struggles of characters in conflict with the norms of society. Many of his movies focus on female characters, drawing inspiration from genres such as the woman’s film and the disease movie (Far from Heaven and Safe); others explore male characters who transgress sexual and other social conventions (Poison and Velvet Goldmine). The writer-director has drawn on figures such as Karen Carpenter, David Bowie, Iggy Pop, and Bob Dylan in his meditations on American and British music, celebrity, and the meaning of identity. His 2007 movie I’m Not There won a number of awards and was notable for Haynes’s decision to cast six different actors (one of whom was a woman) to portray Dylan. Gathering interviews from 1989 through 2012, this collection presents a range of themes, films, and moments in the burgeoning career of Todd Haynes.
In a series of smart, informative essays, this book traces his career from its roots in New Queer Cinema to the Oscar-nomainated 'Far From Heaven.
Mrs. Leacock: I do apologize, Mrs. Whitaker, but candid views are always the best. Cathy: Darling, this is Mrs. Leacock, the lady I told you about, from the Weekly Gazette. Frank: Ah, yes. The fine lady who wants to air all our dirty ...
With almost two decades of work, from the critically acclaimed low-budget Superstar: The Karen Carpenter Story to Far from Heaven (for which he was nominated for an Academy Award for screenwriting), Todd Haynes has established himself as ...
The volume illustrates the influence of feminist theory on Haynes’s aesthetic vision, most evident in his persistent interest in the political and formal possibilities afforded by the genre of the woman’s film.
Through intimate encounters with the life and work of five contemporary gay male directors, this book develops a framework for interpreting what it means to make a gay film or adopt a gay point of view.
Todd Haynes on Todd Haynes
The volume illustrates the influence of feminist theory on Haynes’s aesthetic vision, most evident in his persistent interest in the political and formal possibilities afforded by the genre of the woman’s film.
"Banned by the Carpenter Estate, Todd Haynes' experimental biopic Superstar: The Karen Carpenter Story - which uses dolls to narrate the tragic life of the American singer - has attained...
The Magnatech party, when things really start to go downhill Others have pointed out that Haynes's 1950s – and Far From Heaven is set quite specifically in the winter of 1957–8 – are not quite what they seem, either.
A knowing and emotionally involving homage to the films of Douglas Sirk, this film is a key text in the canon of American independent cinema.This book offers a detailed and perceptive study of Haynes' film, with each chapter centred on a ...