Douglas Fairbanks and the American Century brings to life the most popular movie star of his day, the personification of the Golden Age of Hollywood. At his peak, in the teens and twenties, the swashbuckling adventurer embodied the new American Century of speed, opportunity, and aggressive optimism. The essays and interviews in this volume bring fresh perspectives to his life and work, including analyses of films never before examined. Also published here for the first time in English is a first-hand production account of the making of Fairbanks’s last silent film, The Iron Mask,/i>. Fairbanks (1883–1939) was the most vivid and strenuous exponent of the American Century, whose dominant mode after 1900 was the mass marketing of a burgeoning democratic optimism, at home and abroad. During those first decades of the twentieth century, his satiric comedy adventures shadow-boxed with the illusions of class and custom. His characters managed to combine the American Easterner’s experience and pretension and the Westerner’s promise and expansion. As the masculine personification of the Old World aristocrat and the New World self-made man—tied to tradition yet emancipated from history—he constructed a uniquely American aristocrat striding into a new age and sensibility. This is the most complete account yet written of the film career of Douglas Fairbanks, one of the first great stars of the silent American cinema and one of the original United Artists (comprising Fairbanks, Mary Pickford, Charles Chaplin, and D. W. Griffith). John C. Tibbetts and James M. Welsh’s text is especially rich in its coverage of the early years of the star’s career from 1915 to 1920 and covers in detail several films previously considered lost.
John W. Kirshon ... particularly those of newcomer Elvis Presley, like “Hound Dog,” “Don't Be Cruel,” and “Love Me Tender,” which they had received as a present from their Aunts Jean and Anna, who owned a celebrated seafood restaurant ...
Douglas Fairbanks Jr. and the glamorous Dorothy Lamour. Under the watchful eyes of CIAA censors, Hollywood films continued to present favorable images of North Americans to Latin America and of Latin Americans to the United States.
16 Gaither report . Deterrence and Survival in the Nuclear Age : Report to the President by the Security Resources Panel of the Science Advisory Committee , Nov. 7 , 1957 , White House Office , Office of the Special Assistant for ...
Thomas G. Paterson , J. Garry Clifford , and Kenneth J. Hagan , American Foreign Relations : A History , Since 1895 , 5th ed . ( Boston : Houghton Mifflin Company , 2000 ) , 469 , 472 ; Juliet Johnson , A Fistful of Rubles : The Rise ...
When money troubles drive Bailey to the brink of suicide, a kindly angel intervenes to allow him to see what Bedford Falls would have been like without Bailey's efforts to make things better. In particular, without Bailey, ...
Promoting Film Stardom and Political Leadership in 1920s America Giorgio Bertellini. 10. P. David Marshall, Celebrity and ... Alpers, Dictators, Democracy, and American Public Culture, 28. 27. Another forceful voice of the time was the ...
1 with Lynn Morris 2 with Aaron McCarver OTHER BOOKS BY GILBERT MORRIS One Shining Moment The Quality ofMercy A Season of Dreams Revenge at the Rodeo Race with Death Guilt by Association The Final Curtain Deadly Deception Winds of ...
In 1922, Allan Dwan directed the muscularly athletic Douglas Fairbanks in his own version of Robin Hood, a version unsurpassed until Michael Curtiz and William Keighley's 1938 blockbuster The Adventures of Robin Hood immortalized Errol ...
The upper-class Senator Henry Cabot Lodge has warned for years that a million new immigrants a year will cause “a great and perilous change in the very fabric of our race.” Robert Bacon – Harvard athlete, partner of J. P. Morgan – will ...
Hundreds more miniature, dollsize cattle filled in the background of the stampeding herd. Color was contemplated for The Gaucho, but the experiment with The Black Pirate had been costly. Further, projectionists were reporting trouble: ...