In the years before the civil rights era, American broadcasting reflected the interests of the white mainstream, especially in the South. Today, the face of local television throughout the nation mirrors the diversity of the local populations. The impetus for change began in 1964, when the Office of Communication of the United Church of Christ and two black Mississippians, Aaron Henry and Reverend R. L. T. Smith, challenged the broadcasting license of WLBT, an NBC affiliate in Jackson, Mississippi. The lawsuit was the catalyst that would bring social reform to American broadcasting. This station in a city whose population was 40 percent black was charged with failure to give fair coverage to civil rights and to integration issues that were dominating the news. Among offenses cited by the black population were the cancellation of a network interview with the civil rights attorney Thurgood Marshall and editorializing against the integration of the University of Mississippi. However, muscle, money, and a powerhouse Washington, D.C., law firm were on the side of the station. Despite the charges, the Federal Communications Commission twice renewed the station's license. Twice the challengers won appeals to the federal courts. Warren Burger, then a federal appeals court judge, wrote decisions on both challenges. The first ordered the FCC to allow public participation in its proceedings. The second, an unprecedented move, took the license from WLBT. This well-told, deeply researched history of the case covers the legal battles over their more than fifteen years and reports the ultimate victory for civil rights. Aaron Henry, a black civil rights leader and one of the plaintiffs, became the station's chairman of the board. WLBT's new manager, William Dilday, was the first black person in the South to hold such a position. Burger's decision on this Mississippi case had widescale repercussions, for it allowed community groups in other regions to challenge their stations and to negotiate for improved services and for the employment of minorities.
Lauren Feldman (2011) assigned people at random to view clips of either the conservative commentator Glenn Beck's talk show, the progressive commentator Keith Olbermann's talk show, or the PBS NewsHour program.
Bob Kolbey , Photo District News 60 MINUTES AND THE News A Mythology for Middle America Richard Campbell With a Foreword by James W. Carey " A skillful and convincing analysis of '60 Minutes ' as a provider and provoker of commonsense ...
Presents a balanced account of television--acknowledging its flaws and mistakes while extolling its potential.
Through examination of emerging services like Hulu and Amazon Prime Video, investigation of YouTube channels and cable outlets like Freeform and Comedy Central, and critiques of broadcast giants like ABC and PBS, this book offers a concrete ...
Daniel Frankel, “Action Fights Back,” MW, Feb. 28, 2000, p. 18; Alan Frutkin, “Pamela Lee . . . Please Call Home,” MW, Jan. 25, 1999, pp. 26–29; Joe Schlosser, “Rough Times for Action Shows,” B&C, Jan. 11, 1999, pp. 30, 36. 82.
James L. Gibson , Raymond M. Duch , and Kent L. Tedin , “ Democratic Values and the Transformation of the Soviet Union . ” 7. Serge Schmemann , “ Yeltsin Extols 1921 Rebellion , Denouncing Its Repression by Lenin , " New York ...
CHANGING CHANNELS The Prospects for Television in a Digital World Although it could be argued that the future of broadcast television is irrelevant given the prospect of a multitude of mouth - watering digital services from which we ...
Big changes can come from small decisions. Dave Emerson was a writer living a simple, if solitary, life aboard his old cruiser.
"Changing Channels is a brief, up-to-date examination of the trials and tribulations of the broadcast television news profession. Based on actual interviews with news anchors, directors, reporters and producers."--Book cover.
With story, rhyme, and humor, Changing Channels addresses many of life's aspects. Through its contrast of happy and sad, good and bad, normal and insane, this book offers an inspired, real-life view of things everyone can relate to.