Extras, bit players, and stand-ins have been a part of the film industry almost from its conception. On a personal and a professional level, their stories are told in Hollywood Unknowns, the first history devoted to extras from the silent era through the present. Hollywood Unknowns discusses the relationship of the extra to the star, the lowly position in which extras were held, the poor working conditions and wages, and the sexual exploitation of many of the hardworking women striving for a place in Hollywood society. Though mainly anonymous, many are identified by name and, for perhaps the first time, receive equal billing with the stars. And Hollywood Unknowns does not forget the bit players, stand-ins, and doubles, who work alongside the extras facing many of the same privations. Celebrity extras, silent stars who ended their days as extras, or members of various ethnic groups—all gain a deserved luster in acclaimed film writer Anthony Slide's prose. Chapters document the lives and work of extras from the 1890s to the present. Slide also treats such subjects as the Hollywood Studio Club, Central Casting, the extras in popular literature, and the efforts at unionization through the Screen Actors Guild from the 1930s onwards. Slide chronicles events such as John Barrymore's walking off set in the middle of the day so the extras could earn another day's wages, and Cecil B. DeMille's masterful organizing of casts of thousands in films such as Cleopatra. Through personal interviews, oral histories, and the use of newly available archival material, Slide reveals in Hollywood Unknowns the story of the men, women, and even animals that completed the scenes on the silver screen.
At that time William Rothman had just published a long review essay on the film in which he concentrates on its concluding sequence and contests the apparently uncontested opinion that Stella — in her concluding , isolating departure ...
James A. FitzPatrick was a stocky, smiling, curlyhaired IrishAmerican, born in Shelton, Connecticut, who has a unique place in film history thanks to the FitzPatrick Traveltalks, which he narrates and which successfully manage to ...
In Magnificent Obsession: The Outrageous History of Film Buffs, Collectors, Scholars, and Fanatics, author Anthony Slide looks at the way film has dominated the minds and lives of film buffs, film collectors, film academics, and just plain ...
Private revelations from a prominent Hollywood screenwriter and producer who worked closely with Billy Wilder from the 1930s to the 1950s.
This collection brings together acknowledged experts on American cinema to examine thirteen key films from the years 1966 to 1974, starting with Who's Afraid of Virginia Woolf?, a major studio release which was in effect exempted from ...
Fiction Film Financing in Europe: A Sample Analysis of Films Released in 2016. Strasbourg: European Audiovisual Observatory. Kanzler, M. (2020). ... Public Funding for Film and Audiovisual Works in Europe – A Comparative Approach.
A history of the Hollywood film industry as a modern system of labor, this book reveals an important untold story of an influential twentieth-century workplace.
... Hollywood: Silent Film and the Shaping of Class in America. Princeton, NJ: Princeton University Press, 1998. Sheridan, Clare. My American Diary. 1922. Reprint, N.p.: Big Byte Books, 2014. Slide, Anthony. Hollywood Unknowns: A History of ...
... Film Fame,” Literary Digest, July 3, 1920, 63. 34. Kenneth Taylor, “'No Visitors'; They Mean It,” Los Angeles Times, October 7, 1923, III3. 35. Quoted in Anthony Slide, Hollywood Unknowns (Jackson: University of Mississippi Press, 2012) ...
Movies expected to perform well can flop, whilst independent movies with low budgets can be wildly successful. In this text, De Vany casts his eye over all aspects of the business to present some intriguing conclusions.