“Every line is poetry down and dirty in the mud, right where it belongs.” — Publishers Weekly A stunning literary debut, Horseman, Pass By (1961) exhibits the “full-blooded Western genius” (Publishers Weekly) that would come to define McMurtry’s incomparable sensibility. In the dusty north Texas town of Thalia, young Lonnie Bannon quietly endures the pangs of maturity as a persistent rivalry between his grandfather and step-uncle, Hud, festers, and a deadly disease spreads among their cattle like wildfire.
Told from a 17-year-old's point of view, Hud emerges as ruthless, cold and mean.
My buddy Hermy Neal was at one table, shooting eight-ball with a cousin who was visiting him from Oklahoma City. I skirted around the money tables, where the reckless-ass oil drillers were shooting ...
Horseman, Pass by
Horseman, Pass by
“If Chaucer were a Texan writing today . . . this is how he would have written and this is how he would have felt.”— New York Times In Leaving Cheyenne (1963), which anticipates Lonesome Dove more than any other early novel, the stark ...
With a new introduction, Thalia emerges as an American classic that celebrates one of our greatest literary masters. *Just named in 2017 by Publishers Weekly the #1 Western novel worthy of rediscovery.
Most of them probably identified with the unseen woman whose bed Hud leaves when the movie opens. You don't find many Texas women willing to identify with a ranch cook, not even one that looks like Patricia Neal.
Horseman, Pass by
That was before he was angry. Then I decided to leave and he didn't like that. He got angry and it became sort of expressionistic. Very black blacks, and very white whites. Sort of Franz Kline. He still has the anger.
From the bestselling, Pulitzer Prize-winning "absolute master of 'Western' prose," comes McMurtry's electrifying take on the classic tale of Billy the Kid, the teenage outlaw of the American Old West.