Originally developed in the 18th century as a visual supplement to botanical nomenclature, botanical illustration and art uniquely fuse art and science by documenting the parts, details, and life cycles of plant species. In Drawing and Painting Botanicals for Artists, eminent botanical artist and veteran workshop instructor Karen Kluglein reveals her secrets for rendering leaves, flowers, berries, and branches both accurately and beautifully. The book begins with a brief history of the art form, followed by guidance on developing observational skills for this genre, key botanical terms and concepts, and the differences among botanical illustration, botanical art, and flower painting. The chapters that follow offer detailed guidance and demonstrations for drawing and painting botanicals in a variety of mediums: Drawing. Explore loose gestural drawing, precise measuring and rendering, and working from photographs with graphite, colored pencil, finepoint markers, pen and ink, and silverpoint. Painting. Master color mixing, washes, layering, gradations, values, and adding details in watercolor, gouache, and acrylic, plus guidance on adding “personality” to your work and knowing when a painting is done. Drawing and Painting Botanicals for Artists shows artists at all skill levels how to translate careful observations into stunning works of art. The For Artists series expertly guides and instructs artists at all skill levels who want to develop their classical drawing and painting skills and create realistic and representational art.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...