“Movie criticism's Dostoyevsky . . . Taylor reveals a national identity forged from the innocence we claim to have lost but never had in the first place.” --Steve Erickson, author of Zeroville When we think of '70s cinema, we think of classics like The Godfather, Taxi Driver, and The Wild Bunch . . . but the riches found in the overlooked B movies of the time, rolled out wherever they might find an audience, unexpectedly tell an eye-opening story about post-Watergate, post-Vietnam America. Revisiting the films that don't make the Academy Award montages, Charles Taylor finds a treasury many of us have forgotten, movies that in fact "unlock the secrets of the times." Celebrated film critic Taylor pays homage to the trucker vigilantes, meat magnate pimps, blaxploitation "angel avengers," and taciturn factory workers of grungy, unartful B films such as Prime Cut, Foxy Brown, and Eyes of Laura Mars. He creates a compelling argument for what matters in moviemaking and brings a pivotal American era vividly to life in all its gritty, melancholy complexity.
A primarily American institution (though it appeared in other countries such as Japan and Italy), the drive-in theater now sits on the verge of extinction.
“The employers will love this generation,” University of California president Clark Kerr notoriously predicted, anticipating the college students of the 1960s. “They aren't going to press many grievances. They are going to be easy to ...
The RKO board was less enthusiastic, concerned that even with Cooper's corner-cutting, the budget would be far too high for such a strange-sounding picture (and from a struggling studio). Selznick suggested a compromise: If Cooper put ...
Young Cassie Logan endures humiliation and witnesses the racism of the KKK as they embark on a cross-burning rampage, before she fully understands the importance her family attributes to having land of their own.
Manos had a short run on some drive-in theaters in West Texas. Afterwards, the movie was largely forgotten until it was featured in Mystery Science Theater 3000 in 1993. This is how the film MIGHT have been made.
Presents a tale of a precarious friendship between an illegal Nigerian refugee and a recent widow from suburban London, a story told from the alternating and disparate perspectives of both women.
The Land of Tomorrow
I know, on the outside these stories seem very different, confusing, conflicting, and often violent and divisive. But when read symbolically and internally, they are all telling the same story.
Often many wonder why so many give up and quit in life. In this book I will show you how to rise above mediocrity. No more settling for less than God's best and only fantasizing about your heart desires - Its time you Rise Above, Now.
This book is loaded with numerous production stories and candid insights into how these films were made and received.