Pain never just creeps into a person’s life. Pain never just stops by for a front porch conversation, never knocks on your door or calls to see if it’s a good time. Pain always throws a party, and this party is guaranteed to shock you. Pain jumps out from behind the couch and shouts, “SURPRISE!!!!” Pain is the ultimate loose cannon—loud, flamboyant, and obnoxious. This is why we are so surprised when we walk through the doorway of the day-to-day to find this party planner in our home, with a crowd of unique and powerful guests. What you are about to read is a concept that God has allowed pain to teach me. Pain is a part of life—and, regardless of the reasons it shows up, I believe we can use it to discover purpose. There are several guests who will always show up at a pain party, and our ability to move through it comes down to our responses to the guests we choose to interact with. This is the story of Joanna, a conversation that took place between us, and ultimately the healing that was discovered through perspective. My prayer is that you will also experience this healing perspective and forever see pain through the lens that heals.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...