This book looks at the intersection between medieval studies and digital humanities, confronting how medievalists negotiate the "virtual divide" between the cultural artefacts that they study and the digital means by which they address those artefacts. The essays come from medievalists who have created digital resources or applied digital tools and methodologies in their scholarship. Text encoding and analysis, data modeling and provenance, and 3D design are all discussed as they apply to western European medieval literature, history, art history, and architecture. The volume examines the importance of combining the use of digital tools and methodologies with traditional close reading techniques and explores the physicality of the medieval manuscript and its digital analogue. Within the framework of digital humanities the book covers a host of significant issues that the academy and GLAM (galleries, libraries, archives, and museums) institutions face together, such as differences in models of information organization, metadata standards, and the "lossiness" of the connections between those standards.
For Granada there five relevant texts : 1 ) A holograph manuscript , heavily copy - edited by Ebenezer Irving , Washington's agent ; this I designate the MORGAN from its present location at the Pierpont Morgan Library .
Arising in part from a joint venture between the Consortium for Computers in the Humanities / Consortium pour ordinateurs en sciences humaines (COCH/COSH; now SDH/SEMI, the Society for Digital Humanities / Société pour l'étude des ...
This book explores emergence of digital humanities in the Indian context. It looks at how online and digital resources have transformed classroom and research practices. It examines fundamental questions: What is digital humanities?
This latest collection in the Debates in the Digital Humanities series seeks to address this deficit in the field.
Entornos digitales: conceptualización y praxis
This Open Access book explores the concept of digital epistemology.
A Galleries, Libraries, Archives and Museums (GLAM) Lab is a place for experimenting with digital collections and data. This book describes how to open a GLAM Lab and encourages a movement that can transform organisations and communities.