The name Michelangelo instantly conjures up the Sistine Chapel, the David, the Pieta and countless other great works. In his History of Italian Painting, the French writer Stendhal remarked that, “between Greek antiquity and Michelangelo nothing exists, except more or less skilled forgeries”. In Promenade in Rome, Chateaubriant expresses his admiration for the refined lines of the Pieta. A number of great writers such as Manzoni view Michelangelo as one of the indisputable Masters of the western revival in art. The work of Michelangelo has, indisputably, stood the test of time. How was he able, in so few years, to develop the methods behind a body of work worthy of his Greek predecessors? Often referred to as a superhuman and a creative genius, Michelangelo was an incomparable artist of the Italian Renaissance and is often ranked alongside Leonardo da Vinci in terms of influence and achievement. In this work, Jean-Matthieu Gosselin explores Michelangelo’s many identities: sculptor, architect, painter and draughtsman.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...