When fifteen-year-old Victoria grudgingly accompanies her mother to the Museum of Fine Arts in Boston, she has no idea her life is about to change forever. While there, she falls under the spell of the famous John Singer Sargent portrait The Daughters of Edward Darley Boit. Drawn into the portrait’s shadowy depths, Victoria finds herself transported back in time to the world of the four troubled Boit sisters. By the time she returns to her own world, Victoria understands that the sisters are in serious trouble and need her help. She dedicates herself to solving the mystery of their peculiar loneliness and isolation—only to discover that at the same time she is having an impact on the Boit sisters’ future, they are having an equally dramatic effect on her own. Spanning a brief period in the lives of John Singer Sargent and the Boit family, The Daughters of Edward Darley Boit is a coming-of-age tale that explores both the murky world of Paris in 1882 and the upheaval going on in Victoria’s own time, the early sixties, all the while pondering possible answers to the questions raised by Sargent’s most enigmatic work of art.
Chronicles the lives of the participants involved in the creation of the famous painting before and after its first showing in Paris, along with a discussion of the painting's legacy on art over time.
John Singer Sargent’s renowned portrait "The Daughters of Edward Darley Boit” is examined in an aesthetic, philosophical, and personal tour de force that has been called "thoroughly absorbing” (New York Times Book Review); "brilliant ...
... more prevalent and much stronger than mere contiguity , for they presented the Salon of 1882 with its two most notorious paintings : Manet's Bar aux Folies - Bergère ( 1882 ; Courtauld Institute , London ) and Sargent's El Jaleo .
The philosopher Roger Scruton touched on this truth when he observed that “There is no greater error in the study of human things than to believe that the search for what is essential must lead us to what is hidden.
Suzanne L. Stratton-Pruitt (Cambridge, UK: Cambridge University Press, 2003), esp. 101–8. While Las Meninas has invited multiple and divergent interpretations, this reading of the canvas—as representing the princess and ...
This book shows how and why the painted domestic interior, with figures positioned in provocative, even disturbing manners, figured so prominently in contemporary visual culture.
Insightful essays by the world's leading experts enhance this book and introduce readers to the full sweep of Sargent's accomplishments in the medium, in works that delight the eye as well as challenge our understanding of this prodigiously ...
These are examples of an absorbing range of images and personalities, all distinguished in one way or another for their artistry, and all linked by friendship and a shared aesthetic to the central figure of Sargent himself.
"Sargent makes you feel simultaneously drawn into and excluded from the sisters' world, a phenomenon that Erica E. -Hirshler explores in intriguing detail in Sargent's Daughters.
The stencil “B” that appears on the Standish Pereyra would not argue against an execution in Spain, as Standish spent many years in Seville and was in close contact there with the painter Adrien Dauzats, who worked for Taylor, ...