International storyteller and performance poet Joyce Lee reflects on 15 years of lovers and her life of loving and learning in Dancing in the Presence of Men. She explores the raw emotion and physicality of love without censorship or permission, examining loss, grief, sensuality, self-ownership and healing. Sonya Renee Taylor (author of The Body Is Not An Apology) says, "The poems in Dancing in the Presence of Men are a map toward what it means to gather up the far flung pieces of our womanhood and mosaic ourselves back into source magic. Joyce Lee's new work dances, inviting us all to do the same, no matter who's watching."
The soldiers , and the Indian rural gentry on trips to the capital , were uncultured and thus unappreciative of the sophisticated dance ( 1984 , 137 ) . On the other hand , the British attempted to eliminate prostitution and the dancing ...
As Susan Foster indicates in Valuing Dance: Commodities and Gifts in Motion (New York: Oxford, 2019), 29–30, the idea of space as a process has been theorized in Henri LeFebvre, The Production of Space (Oxford: Blackwell, 1991); David ...
In Ethnomusicology: an Introduction, edited by Helen Myers, 238–44. london: Macmillan. sen, geeti, ed. 2003. India: a National Culture? new delhi: India International centre and sage Publications. shah, Purnima. 1998.
As I discussed earlier, given the presence of both folkloric and traditional dancing in K'iche' communities, ... all of the main characters (including female parts) in La Conquista and in other traditional dances are played by men.
A dance student can supplement his or her school - related performances with paid guest appearances in other local companies ... balance on re/eve , and are checked for limb length , shape of arms , grace in movement , and " presence .
But the relative involvement of male and female instructors confirms that women established a presence and identity at South End House as social dance instructors.” South End House experimented for a brief period with specialized ...
In this book, Silverman introduces readers to the people and cultures who produce this music, offering a sensitive and incisive analysis of how Romani musicians address the challenges of discrimination.
One of the first anthologies to focus on Mexican dance practices on both sides of the border
279—306; Moses, French Feminism, pp. 1—15, 39, 41. Meglin, “Representations and Realities,” p. 113. Revue des deux mondes, 29 November 1831, quoted inJohnson, Listening in Paris, p. 250. Mrs. Longefirllow: Selected letters, pp.
When trusted author and mentor Sally Clarkson noticed a lack of joy in her own life, she realized how easy it can be, especially for women with overloaded to-do lists, to feel weighed down by drudgery and disappointment.