This book analyzes how films depict God when black characters experience suffering and tragedy to elucidate how cinema often portrays a God that is considered supportive, yet who does little to mitigate suffering. This sparks theodical contemplation on the role of divinity in protecting people from the consequences of human depravity.
I Wish it Were True: A Collaborative Project
This is a study of the cinematic traditions and film practices in the black Diaspora.
In The Film Art of Isaac Julien , by David Deitcher and Isaac Julien , with contributions from Amanda Cruz , edited by David Frankel 103–10 . Annandale - on - Hudson , NY : Center for Cultural Studies . Kandé , Sylvie . 1998.
The history, roots, characteristics, and themes of the black film genre are illuminated in analyses of six films including The Scar of Shame, The St. Louis Blues, and Sweet Sweetback's Baadasssss Song
Black Film As Genre
But is the film racist? Disney historian Jim Korkis does not think so. Korkis examines the film from concept to controversy, and reveals the politics that nearly scuttled the project.
This book examines how Hollywood has promoted the myth of the American White male savior and the way in which this myth has negatively affected people of color throughout U.S. history.
He is the author of Contesting Identities : Sports in American Film and is currently writing a book on the films of ... and editor ( with Norman K. Denzin ) of Contesting Empire / Globalizing Dissent : Cultural Studies after 9/11 .
Black Representation in American Animated Short Films, 1928-1954
This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema.