Just as stately trees in Forest Park were coming down to make way for the 1904 World's Fair, elegant homes -- designed by the city's best architects and occupied by its elite-- were springing up on surrounding streets, as a vast building boom began. And that was the start of the St. Louis neighborhood called the Central West End, which quickly grew from a sleepy rural outpost to an address for fashionable people and shops, fine cultural institutions and congregations, high-class hotels and hospitals.That halcyon period did not last, however. Through the years, various factors -- the growth of the suburbs, white flight, the cost of maintaining huge homes, the rise of rooming houses, the disheartening effect of smoke and urban smells -- drove some of the well-to-do farther west, and the Central West End foundered. Though residents, religious groups, and some politicians tried to stop the slide, fine homes disappeared and hospitals fled. At this point, the Washington University Medical Center also faced a choice: stay or go? They decided to hold their ground and mounted a revitalization effort that succeeded, with the support of the resilient community.Today, the Central West End is again undergoing a boom as condominiums go up, businesses come to life, and historic streets find new vitality. To the east, an exciting biotechnology district, Cortex Innovation Community, is building upon its success. Renaissance: A History of the Central West End traces the Central West End's cycle over the past century and more: from its stylish start through its dangerous days to its present strength -- an urban renewal significant enough that it has earned the name "renaissance."
Petrarch, Sonnets, tr. Jos. Auslander, 126. 6. Epistolae variae, no. 25, in Whitcomb, Literary Source-book of the Italian Renaissance, 13. 7. Renan, Averroes, 328. 8. Robinson and Rolf, 107. 9. Hutton, E., Giovanni Boccaccio, 3-5. 10.
Memling, Van Eyck, Antonello da Messina, Raphael, Holbein, Titian, Leonardo . . . these are the greatest names of the Renaissance which symbolize the ultimate in artistic achievement.
Walter L. Strauss pp. 96-113. Published as Print Review 5 (1976). Israkel van Meckenem und der deutsche Kupfersttch des 15. Jahrhundem 750 Jahre Stadt Bocholt, 1222-11)72. Beitrage zur Ausstellung Bocholt, 1972.
This spectacular volume overflows with luxurious imagery expressing the boundless creativity and spirit of the Age of the Renaissance.
... The Moment of Self-Portraiture in German Renaissance Art (Chicago and London, 1993) D. Landau and P. Parshall, The Renaissance Print, 1470–1550 (New Haven and London, 1994) S. Porras, Art of the Northern Renaissance: Courts, ...
Richly illustrated, and featuring detailed descriptions of works by pivotal figures in the Italian Renaissance, this enlightening volume traces the development of art and architecture throughout the Italian peninsula in the fifteenth and ...
Renaissance Profiles
This is superior scholarship delivered with a light touch."—Rachel Laudan, author of The Food of Paradise: Exploring Hawaii’s Culinary Heritage "This stimulating work is an important contribution to social and especially medical ...
"This book was created with the purpose of telling the story of who I am and who we are today--the exciting achievements of our group, OTB, over the past decade, our deeper motivations, philosophy, spirit, legacy, and future together"- ...
Discusses the creation of the Harlem Renaissance, the African Americans in the spotlight there, and the legacy of future generations long after its heyday.