David Plante's dazzling portraits of three influential women in the literary world, now back in print for the first time in decades. Difficult Women presents portraits of three extraordinary, complicated, and, yes, difficult women, while also raising intriguing and, in their own way, difficult questions about the character and motivations of the keenly and often cruelly observant portraitist himself. The book begins with David Plante’s portrait of Jean Rhys in her old age, when the publication of The Wide Sargasso Sea, after years of silence that had made Rhys’s great novels of the 1920s and ’30s as good as unknown, had at last gained genuine recognition for her. Rhys, however, can hardly be said to be enjoying her new fame. A terminal alcoholic, she curses and staggers and rants like King Lear on the heath in the hotel room that she has made her home, while Plante looks impassively on. Sonia Orwell is his second subject, a suave exploiter and hapless victim of her beauty and social prowess, while the unflappable, brilliant, and impossibly opinionated Germaine Greer sails through the final pages, ever ready to set the world, and any erring companion, right.
Harry Potter and the Philosopher; Stone was written in Edinburgh cafés while she lived hand to mouth and cared for her baby. After she was finished, the manuscript was rejected a dozen times. People apparently thought the boarding ...
But, in truth, the only person who dragged Paula Jones through the mud was she herself. I do find it interesting the way Paula Jones insists that this is not for the money. But if it's not, then what is it for?
This book is a must-read for scholars of media and communication studies; television and film studies; cultural studies; American studies; sociology of gender and sexualities; women and gender studies; and international film, media and ...
'" In A Difficult Woman, renowned historian Alice Kessler-Harris undertakes a feat few would dare to attempt: a reclamation of a combative, controversial woman who straddled so many political and cultural fault lines of her time.
Seventeen-year-old Mattie has a hidden obsession: escapology.
New York Times bestselling author Roxane Gay (World of Wakanda, Difficult Women) adapts her short story “We Are the Sacrifice of Darkness” as a full-length graphic novel with writer Tracy Lynne Oliver (This Weekend), and artist Rebecca ...
Barnett & LaViolette , 1993 ) , and their hope that the violence will not be repeated or that their partner will change dominates . Several studies ( e.g. , Maiden & Rice , 1995 ) document women's use of hope as a major coping strategy ...
. . This book set the tone that still characterizes much of Gay’s writing: clean, unaffected, allowing the (often furious) emotions to rise naturally out of calm, declarative sentences.
In Hunger, she explores her past—including the devastating act of violence that acted as a turning point in her young life—and brings readers along on her journey to understand and ultimately save herself.
HOW TO DEAL WITH A DIFFICULT WOMAN Men, you can't always ignore her.