One woman’s pursuit of justice leads her on a riveting adventure into the world of art trafficking. In this powerful memoir, Tasoula Hadjitofi reveals her perilous journey orchestrating “The Munich Case”—one of the largest European art trafficking stings since WWII. With the Bavarian police in place, the Cypriots on their way, seventy under-cover agents bust into the Munich apartment of a notorious Turkish smuggler suspected of holding looted antiquities. Tasoula places everything on the line to repatriate her country’s sacred treasures, unaware that treachery lies in the shadow of her success. The Icon Hunter is a story torn from the pages of Tasoula's life as she and her Greek Cypriot family lose everything during the Turkish invasion of Cyprus. Hundreds of ancient Cypriot churches are destroyed, their contents looted and all signs of her Greek Cypriot culture erased as if it never existed. As a refugee, she wants justice. And then fate intervenes in the form of an archbishop and a dubious art dealer in search of redemption. Even as unspeakable personal tragedy strikes, she never gives up her search knowing the special place these antiquities hold in the hearts of Orthodox Christians. These icons are not just masterpieces—they are artistic manifestations of faith and a gate-way to the divine. Using family and faith as her touchstones, Tasoula takes on these “merchants of God” as she navigates the underworld of art trafficking. Tasoula believes this to be her calling, and the Archbishop of Cyprus entrusts her—an ordinary woman, wife, and mother—with the mission. In order to succeed, however, she must place her trust in an art dealer known for his double-dealing. Inspiring and empowering, The Icon Hunter is a gripping story by a remarkable woman that will captivate readers long after the nal page.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...