For decades, Robert Altman fascinated audiences with pioneering films—among them M*A*S*H, Nashville, The Player, and Gosford Park—that combined technical innovation with subversive, satirical humor and impassioned political engagement. His ability to explore and engage so many different worlds with a single, coherent vision changed the landscape of cinema forever. This signature "Altmanesque" style is, in the words of Martin Scorsese: "as recognizable and familiar as Renoir's brushstrokes or Debussy's orchestrations." In 2014, the Altman estate opened its archive to celebrate his extraordinary life and career in the first authorized visual biography on the iconoclastic director. Altman (Text-Only Edition), by Altman’s widow Kathryn Reed Altman and film critic Giulia D’Agnolo Vallan, includes a complete historical and critical narrative of Altman’s films and his process. To honor the Altman trademark of using a wide cast of characters, Altman also features contributions from his collaborators and contemporaries including Frank Barhydt, E. L. Doctorow, Roger Ebert, Jules Feiffer, Julian Fellowes, James Franco, Tess Gallagher, Pauline Kael, Garrison Keillor, Michael Murphy, Martin Scorsese, Lily Tomlin, Alan Rudolph, Michael Tolkin, and Kurt Vonnegut Jr.
'Hearing in his own words in Altman on Altman just how much of his films occur spontaneously, as a result of last-minute decisions on set, is fascinating . . . For film lovers, this is just about indispensable.' Ben Sloan,Metro London
The noted director's widow and a film critic survey Altman's life and accomplishments and offer photographs and ephemera from his private collection, along with film reviews and other contributions from a variety of sources.
What about the scene where Alexander Haig, played by Powers Boothe, says, “Sir, you talked about opening up the whole Bay of Pigs thing again... on that June 20 tape, the one with an eighteenand-a-half-minute gap.
In fact, our effort to control or deny our emotions is the surest way to become their slave, while listening to the guidance they offer is the best hope for peace of mind.In the vein of The Road Less Traveled, this book offers not only a ...
The lucidity of the illusionist , the puppeteer , or the filmmaker does battle with the desire to create a believable and lifelike image ” ( Stam 138 ) . Reflexive storytellers simultaneously shatter illusion and comment on the reality ...
Films studied in this book include Nashville, Pulp Fiction, Amores Perros, Code Unknown, The Edge of Heaven, Virgin Stripped Bare by Her Bachelors, Run Lola Run, and Kieslowski’s Three Colors trilogy: Red, White, and Blue.
In a CIA safe house, a reluctant interrogator and his subject find that they are the next targets on a ruthless assassin's hit listPsychiatrist Louis Finney is still haunted by nightmares stemming from the work in mind control and ...
Connected: 24 Hours in the Global Economy is part travel guide, part owner's manual—an absorbing, accessible, and essential road map for every citizen of the global economy in the twenty-first century.
gilio R. Martinez would be found guilty of breaking into Democratic Headquarters along with Kissinger aide and finance counsel G. Gordon Liddy. ... [H. R.] Haldeman was indicted the day before we started the shooting. Earl Warren died.
The most prodigal, prolific, and visionary director to emerge from post-sixties Hollywood, Robert Altman is a man whose mystique sometimes threatens to overshadow his many critically acclaimed films (including MASH).