French Art: Large Print By W. C. Brownell It saved French painting an immense amount of fumbling, of laborious experimentation, of crudity, of failure. But it stamped it with an essential artificiality from which it did not fully recover for over two hundred years, until, insensibly, it had built up its own traditions and gradually brought about its own inherent development. In a word, French painting had an intellectual rather than an emotional origin. Its first practitioners were men of culture rather than of feeling; they were inspired by the artistic, the constructive, the fashioning, rather than the poetic, spirit. And so evident is this inclination in even contemporary French painting--and indeed in all French æsthetic expression--that it cannot be ascribed wholly to the circumstances mentioned. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
Almost twenty years after the creation of the Musee d’Orsay, the 19th century seems more than ever to be the “Golden Age” of French art. It boasts names such as...
Art; with a Catalogue Raisonné ofthe Pâtes de Verre. New York: Thames and Hudson, 1991. Bonneville, Françoise de.Jean Puiforcat. Translated by Nina Bogin and Vincea McClelland. Paris: Éditions du Regard, 1986.
The Art of the French Illustrated Book, 1700 to 1914
Those lectures, presented by top scholars in the field of European art history, are re-presented in this volume"--
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1789: French Art During the Revolution
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