Chicago 1968 represents, perhaps as no other moment in American history, the flashpoint of cultural resistance to a militarized world out of control. In the summer of 1968, still reeling from the assassinations of Martin Luther King and Bobby Kennedy only months earlier, thousands of young people descended on the National Democratic Convention to show their opposition to the Vietnam War and their desire for a Peace platform. The showdown between "the longhairs" and "the pigs" would become one of the most violent and starkly emblematic confrontations ever broadcast on nightly news in the United States. "The whole world was watching," CBS reporter Dan Rather uttered on the floor of the convention center in Chicago, and he was correct: The 1968 Democratic Convention was the first nationally televised political convention. Police and National Guard troops, clashing with protesters, herded tens of thousands of demonstrators into exit-less corridors, and as the mayhem ensued, police indiscriminately cracked heads. Witnessing it all were some of the most attuned minds of the day, including Norman Mailer, Allen Ginsberg, Studs Terkel, and the "hard hitting investigative team" Esquire had assembled, which included Terry Southern, William Burroughs, and Jean Genet. Shortly after bumping into Southern at the bar of the Chateau Marmont in Los Angeles, photographer Michael Cooper decided to tag along, gaining official accreditation as photographer.Editors Nile Southern and Adam Cooper, having dreamt for many years about a print collaboration featuring their fathers' collective work-none more poignant than their accounts of the protests at the National Democratic Convention-here present Chicago 1968: The Whole World is Watching, a kaleidoscopic, on-the-ground account, told primarily through the words of Terry Southern and the photographs of Michael Cooper, a fitting tribute to two great artists of the 20th century.
The Mayor's statements are also from Gleason, Daley of Chicago, pp. ... The best treatment of Daley and the civil rights movement in general and the King Chicago Project in particular is in Alan B. Anderson and George W. Pickering, ...
Journalists flood the area to cover the stories of the delegates and protesters.
Former cop Ernie Bellows recalls, “There were thousands of these kids on the street. The place, as I remember, was roped off. We had other barricades up, and we weren't stopping the march, but at the end of it, they insisted on breaking ...
... establishment” and thus a sign of support for the would- be nominee. Likewise, when we say that the establishment forces lost control of the staging of their convention and the televised image of their party, we need to note the ...
The result, No One Was Killed, is his account of the contradictions and chaos of convention week, the adrenalin, the sense of drama and history, and how the mainstream press was getting it all wrong.
Lisa Krissoff Boehm. State University Library, the Oakland University Library, and the Ohio State Library. Thanks of course also to those who provided me with lodging, food, and even entertainment in Chicago during my frequent visits.
In this landmark work of journalism, Norman Mailer reports on the presidential conventions of 1968, the turbulent year from which today’s bitterly divided country arose.
36 The artists who participated in the show include: Don Baum, Miriam Brofsky, Dominick Di Meo, Stanley Edwards, Jim Falconer, Maurice Fouks, Roland Ginzel, Jack Harris, Peter Holbrook, George Kokines, Ellen Lanyon, June Leaf, ...
May '68 and Its Afterlives is especially timely given the rise of a new mass political movement opposing global capitalism, from labor strikes and anti-McDonald's protests in France to the demonstrations against the World Trade Organization ...
This study concerns itself with how residents of Chicago's Lincoln Park neighborhood responded to and influenced the demonstrations surrounding the 1968 Democratic National Convention within the broader struggle over urban renewal from 1948 ...