Australian Books and Authors in the American Marketplace 1840s–1940s explores how Australian writers and their works were present in the United States before the mid twentieth century to a much greater degree than previously acknowledged. Drawing on fresh archival research and combining the approaches of literary criticism, print culture studies and book history, David Carter and Roger Osborne demonstrate that Australian writing was transnational long before the contemporary period. In mapping Australian literature’s connections to British and US markets, their research challenges established understandings of national, imperial and world literatures. Carter and Osborne examine how Australian authors, editors and publishers engaged productively with their American counterparts, and how American readers and reviewers responded to Australian works. They consider the role played by British publishers and agents in taking Australian writing to America, and how the international circulation of new literary genres created new opportunities for novelists to move between markets. Some of these writers, such as Christina Stead and Patrick White, remain household names; others who once enjoyed international fame, such as Dale Collins and Alice Grant Rosman, have been largely forgotten. The story of their books in America reveals how culture, commerce and copyright law interacted to create both opportunities and obstacles for Australian writers.
Australian Books and Authors in the American Marketplace 1840s-1940sexplores how Australian writers and their works were present in the United States before the mid twentieth century to a much greater degree than previously acknowledged.
Drawing on fresh archival research and combining the approaches of literary criticism, print culture studies and book history, David Carter and Roger Osborne demonstrate that Australian writing was transnational long before the contemporary ...
He coauthored the book Australian Books and Authors in the American Marketplace, 1840s–1940s (2018), and is completing a book-length study of Joseph Furphy's Such is Life. Nycole Prowse teaches into the Literature programme at the ...
Details in Tom Keneally, Homebush Boy (Melbourne: Heinemann, 1995), 5–7, 27, 29, 33–34; Keneally published an obituary for McGlade, SMH 20 July 2013, 17. Thomas Keneally, “Memoirs of a Catholic Boyhood', National Times 3–8 October 1977: ...
“Tom Collins: A Ceremony of Some Import”, Shepparton Advertiser (19 October 1943): 1. Joseph Furphy, “The Passing of a Pioneer”, Meanjin 2, no. 3 (1943): 31–33. Vance Palmer, “Joseph Furphy Speaks”, Meanjin 2, no.
113 Ensor (n 110); Bode (n 27) 114 David Carter and Richard Osborne, Australian Books and Authors in the American Marketplace 1840s–1940s (Sydney UP 2018) 115 David Throsby, Jan Zwar and Callum Morgan, Australian Book Publishers in the ...
Subversive Sybils: Women's Popular Fiction this Century. The British Library, 1996. Callil, Carmen and Colm Tóibín, eds. The Modern Library: The 200 Best Novels in English Since 1950. Robinson, 2011. Chow, Karen.
Australian Books and Authors in the American Marketplace 1840s–1940s. U of Sydney P, 2018. Clark, Beverly Lyon. The Afterlife of “Little Women.” Johns Hopkins UP, 2014. Clark, Beverly Lyon, editor. Louisa May Alcott: The Critical ...
Robert Dixon, Series Editor The Sydney Studies in Australian Literature series publishes original, peer-reviewed ... Alex Miller: The Ruin of Time Robert Dixon Australian Books and Authors in the American Marketplace 1840s– 1940s David ...
Ackland, Michael. Passion by Proxy: Henry Handel Richardson's Sapphic Investment in Her Early Fiction. Antipodes 18.2 (Dec. 2004): 147–51. Ackland, Michael. “A cold coming we had of it”: Modernism and Tradition in the Work of James ...