In the early days we did painting. Cultural way. For ourselves. Then on the mission Sister Alice was working with the young men and women, like Gracie Green and Matthew Gill. We did a lot of landscapes at the start. Then after that people did a lot of paintings for the church. Then we decided we gotta do our own painting now. About ngurra and tjukurrpa. Ngurra are the places we came from, our Country. We came to the mission from Kiwirrkurra, from Canning Stock Route, from Mulan lake Country. All the different families. All now to this Country we call Balgo. And we have always enjoyed our culture. We never stopped. Always dancing and singing, teaching our kids and keeping our culture strong. Here in Balgo. We keep our ceremonies, we visit our Country. That's why we still live here. That's why we paint. That story from our Tjamu and Tjatja (grandfather and grandmother). Our rockholes and waters where we used to live. We paint that. Our bush tucker and lovely bush potatoes! We paint that. Balgo is Country for all of us now. We were all born here, these generations here today. We are Wirrimanu kids. We belong to Balgo. That's what we paint. That's why we paint. This is our story. -- Eva Nagomarra, Warlayirti Artists This beautiful monograph features countless images of full colour artworks from communities including Birrundudu, Papunya, Yuendumu and Balgo and language groups including Kukatja, Djaru, Warlpiri, Nyining, Ngarti, Wangkajunga and Manjilyjarra. It is deeply grounded in country has been put together in conjunction with the Warlayirti Arts Centre.
Gathered Up: The Robin Gurr Collection
I love the river near my home. I look with my eyes, I listen with my ears, I learn about the life of the river.
It began with an agenda to create black-white dialogue. A key member and the curator of Shoosh!, Michael Eather, explains: 'It is neither a whitefella’s story nor a blackfella’s story alone.
Lavishly illustrated throughout the book features a stunning four page fold-out of a large collaborative painting and informative essays by Dr Paul Memmott and Dr Nicholas Evans and art writer Louise Martin-Chew, and with biographies of the ...
The Art and Artists of Mornington & Bentinck Islands Nicholas Evans, Louise Martin-Chew, Paul Memmott. ABOVE: Dulka Warngiid with Sally Gabori, Dingkarri, 2006 on far wall on exhibition Alcaston Gallery, Melbourne, August–September, ...
The Eternal Present in Indigenous Art from Australia Henry F. Skerritt, Hetti Perkins, Fred R. Myers, Narayan Khandekar ... In many of his most significant works, Gija artist Paddy Nyunkuny Bedford chronicled how the land was created ...
All babies will love these exciting new books from Indigenous First Discovery Book.
Sting in the Tail
"Published on the occasion of the exhibition. Museum Tingely, Basel: 21 September 2005 to 29 January 2006; Sprengel Museum Hannover: 19 February to 5 June 2006" -- p. 238.
Ikuntji Tjuta: Touring