At the center of this remarkable 1621 play is the story of Elizabeth Sawyer, the titular “Witch of Edmonton,” a woman who had in fact been executed for the crime of witchcraft mere months before the play’s first performance. Described by the authors as a tragi-comedy and drawn in part from a pamphlet account of the trial then circulating, the play not only offers a riveting account of the contemporary superstitions embodied by the figure of the witch, but also delivers an implicit critique of the society that has created her. This edition of the work offers a compelling and informative introduction, thorough annotation, and a selection of contextual materials that helps set the play in the context of the “witch-craze” of Jacobean England.
This edition of the work offers a compelling and informative introduction, thorough annotation, and a selection of contextual materials that helps set the play in the context of the "witch-craze" of Jacobean England.
This tragi-comedy took as foundation the news report of the execution for witchcraft of Elizabeth Sawyer, as related by Henry Goodcole.
The Witch of Edmonton: A Critical Edition
The Witch of Edmonton
Thomas Dekker was a playwright, pamphleteer and poet who, perhaps, deserves greater recognition than he has so far gained.
The three plays in this book - Sophonisba, The Witch and The Witch of Edmonton - reflect the variety of belief in witches and practice of witchcraft in the Jacobean period.
In this ribald comedy, first performed at The Globe in 1634, everything is going wrong at a wedding, and everyone in attendance is eager to believe a local coven is...
In its pages, today's best Renaissance scholars chart the cross-currents of belief and daily experience that illuminate the meaning of works by Marlowe, Jonson, Middleton or Webster, as it has changed over time, place and audience.
And, in "The Witch of Edmonton", follow the tragic true story of Elizabeth Sawyer, an impoverished woman scapegoated as a witch by her fellow villagers and lead to the gallows.
This book explores the representation of witchcraft in early modern drama, situating it within the discourse of scepticism and credulity that characterised the witchcraft debate, and the historical events which inspired much witchcraft ...