Carr defied convention by choosing art over marriage. Considered an eccentric by her contemporaries, she created an art unique to British Columbia.
Emily Carr: A Biography is a remarkable portrait of one of Canada's most celebrated artists.
Emily Carr’s journals from 1927 to 1941 portray the happy, productive period when she was able to resume painting after dismal years of raising dogs and renting out rooms to pay the bills.
I put him in a tin and weighted it with a stone and hid it under a skunk cabbage. , very far up the stream, though it had not seemed a long way at all, when our big sister came around the bend behind us.
This book traces Emily Carr's trajectory from her life in Victoria, where she struggled to receive acceptance, to her status as one of Canada's most influential painters.
For many women, she is a heroine because of her tenacity and creative brilliance. She lives on, the complete if problematical feminist model, in the delectable self-portraits that pepper the pages of this collection.
Recounts the life and career of an early twentieth-century Canadian painter noted for her depictions of the landscape of the Pacific Coast, many of which featured totem poles and other Native elements, and discusses her paintings
Excerpts from Carr's own writings combined with reproductions of over 200 works.
I was considering the most advantageous spot to set my bite next when I saw Doctor Cabbage's eyes over the top of my pear, feasting on the fruit with unquenched longing. I was on the store step, so I could look right into his eyes.
Published in conjunction with the exhibition at Dulwich Picture Gallery on November 1, 2014-March 8, 2015 and Art Gallery of Ontario on April 11-July 12, 2015.
Published in association with the Vancouver Art Gallery.