A church art exhibition turns deadly . . . ‘Art, my dear boy,’ said Mr Askern, ‘especially sacred art, needs tradition. Tradition is the bedrock of our art . . .’ He broke off, staring at the woman in front of him. Her face seemed to lose all definition and her skin turned an unnatural shade of putty-coloured grey. ‘Art,’ she said, her voice scarcely more than a whisper. ‘Art! Oh my God, art!’ She swayed dangerously. Jack leapt forward, catching her as she fell. Jack Haldean expected Lythewell and Askerns’ exhibition of church art in Lyon House, London, to be a sedate affair. After all, Lythewell and Askern, Church Artists, were a respectable, old-fashioned firm, the last people to be associated with mystery, violence and sudden death. Or so it seemed – until after the exhibition . . .
Many types of EWs such as bending plywood offer more design options than wood. However, some products may burn quicker than solid lumber and their adhesives may be toxic. Some EWs may be more prone to warping than solid wood, ...
This research — most of which results in common - sense decisions — seems to have not widely influenced museum label practices , judging from the frequency of poor typography , such as tiny print and long line lengths .
"The book challenges the common view that the Exhibition symbolized peace, progress, prosperity, and the emergence of an industrial middle class.
German merchants but after the Exhibition the direct import of these began, and there were some other products which achieved similar results. A Japanese merchant m Manchester, Matsumoto Yonekichi, who had established a company in 1900 ...
Catalog of Catalogs documents nearly 2,300 temporary exhibition catalogs, 1876-2018, that include objects of Judaica. It provides highly-detailed indices of these publications' subjects, exhibited objects and geographical foci.
This book is the first comprehensive study of the path-breaking exhibition "Meisterwerke muhammedanischer Kunst" held in Munich in 1910.
What Happened to Emily Goode After the Great Exhibition
may hold such exhibition accordingly in the year 1863; and in case after making any contracts or engagements for the holding of such exhibition, they shall from like cause see fit to abandon it altogether, they may, with the like ...
Three years after London's exhibition, Melbourne held an 'Exhibition of Produce and Works of Industry' in a purpose-built pavilion in La Trobe Street, and in 1855 the colony sent a significant exhibit, including a substantial collection ...