Munch's The Scream. Van Gogh's Starry Night. Rodin's The Thinker. Monet’s water lilies. Constable's landscapes. The nineteenth-century gave us a wealth of artistic riches so memorable in their genius that we can picture many of them at an instant. However, at the time their avant-garde nature was the cause of much controversy. Professor Laurie Schneider Adams brings vividly to life the paintings, sculpture, photography and architecture of the period vividly with her infectious enthusiasm for art and detailed explorations of individual works. Offering fascinating biographical details and the relevant social, political and cultural context, Adams provides the reader with an understanding of both how revolutionary the works were at the time and of their enduring appeal.
This new fourth edition includes four revised chapters together with a substantially expanded chapter on Photography, Modernity and Art.
"19th-Century Art has been influential in cementing the reputations of many painters and sculptors, and this new edition adds more artists to the pantheon. It also explores for the first...
They established the Brotherhood of St Luke in July 1809, named after the Roman Academy of St Luke but based on their own vision of medieval artist guilds. Motivated partly by a rejection of things French (including academic training ...
Powers Vivien Green Fryd , ' Hiram Powers's Greek Slave , Emblem of Freedom ' , American Art Journal XIV , No. ... Nation and Narration ( London , 1990 ) ; Richard D. Brown , The Strength of a People : The Idea of an Informed Citizenry ...
WILEY BLACKWELL COMPANIONS TO ART HISTORY These invigorating reference volumes chart the influence of key ideas, ... by Amelia Jones 2 A Companion to Medieval Art, edited by Conrad Rudolph 3 A Companion to Asian Art and Architecture, ...
This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century.
After 1863 female models posed for students at the École des Beaux - Arts , see L'Art du Nu au XIXe siècle : le photographe et son modèle ( Paris , 1997 ) , pp . 13 , 20 . 26 Wildenstein and Wildenstein , Louis David , p . 150.
"This is a reconsideration of the origins of modern painting, sculpture and photography in Europe and North America.
10 In the 1880s, in the periodical La Vie Parisienne, a series of fantastic topographical illustrations by the artist known as “Sahib” addressed the ambiguity of love in Paris by literally mapping the shifting territory of the ...
The book expertly balances its coverage of trends and individual artworks: where the salient trends are clear, trend-setting works are highlighted, and the complexity of the period is respected by situating all works in their proper social ...