In his speech following the 2011nationwide riots in Britain, Prime Minister David Cameron spoke out against people “being too unwilling for too long to talk about what is right and what is wrong” and proclaimed “this relativism – it’s not going to cut it anymore”. He was, then, presumably laying the foundation for one-size-fits-all absolutist authoritarianism and, worryingly, the moral outrage induced by the riots means a large proportion of the British public might not oppose such measures. When such a mindset is on the verge of becoming pandemic, where do we turn? This book suggests that the work of another David, born 20 years before and 3,000 miles away from Cameron, might engender a mode of thinking which does not apprehend the world in terms of such easy distinctions. In David Lynch, we find a director whose films – by utilising the tropes of the Hollywood movie, but subverting their accepted meanings - profoundly destablise spectators, and lead them to consider things not in terms of prescribed binaries, but as complex and multi-faceted.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...