Mathilde Blind’s contributions to the New Woman and Decadent movements in the 1880s and 1890s placed her at the centre of fin-de-siècle literary culture. She rose to prominence in the early 1870s, both as an expert on and proponent of the poetry of Percy Bysshe Shelley and as one of the few women writers published in the Dark Blue (1871–73), an influential journal that featured the work of Britain’s leading Pre-Raphaelites and aesthetes. By the late 1880s, she had established close associations with key figures of England’s emergent Decadent communities, from Vernon Lee and Rosamund Marriott Watson to Oscar Wilde and Arthur Symons. When her Dramas in Miniature appeared in 1891, she was fusing aestheticism and Decadence so distinctively in her poetry that Symons evoked Charles Baudelaire in calling the dramatic monologues in the volume ‘flowers of evil’. Her career thus highlights the connections between mid-Victorian aestheticism and late-century Decadence. It also serves as an important corrective to the male-focused narratives that long dominated accounts of these movements. In addition, and because Blind was born in Germany of Jewish parents and part of a community of exiled European radicals, her poetry and prose alike are characterized by a transnational, cosmopolitan outlook that ranges across national borders and consistently engages with Continental writers and ideas. This new edition for the first time brings together the three major volumes of poetry Blind published between 1889 and 1895 alongside a critical introduction and explanatory notes. Because she was also an active reviewer and essayist throughout her career, it includes a selection of her reviews as well as her essay ‘Shelley’s View of Nature Contrasted with Darwin’s’, which serves as an important supplement to her 1889 volume The Ascent of Man. The edition also features a selection of critical responses to Blind’s writing by leading late-Victorian poets and critics.
... Or if the secret ministry of frost Shall hang them up in silent icicles, ... A Noiseless Patient Spider A noiseless patient spider, I mark'd where on a ...
An anthology of some of the best English poems.
Combining journal entries, poetry and formal e-mails, these books celebrate the sights, sounds, flavors, (and the physical and mental strain), of crossing mountains, rolling landscapes, and unchanged rural villages, as well as vibrant ...
There are no Formal E-mails, no Definitions, no Autobiography or Research here. And because of all that it is not, this book completes those first two in the pilgrimage series in a gentle way.
Karen Freeman! Was born August 22, 1950 in Newark New Jersey. She had a “BRIGHT” daughter named Kira. She Married Warren W. C. Freeman March 1, 1998. They were married for 13 years and 20 days. She “PASSED-ON” March 21, 2011.
Winner of the Massachusetts Book Award "A terrific and sometimes terrifying collection—morally complex, rhythmic, tough-minded, and original." —Rosanna Warren, 2018 Barnard Women Poets Prize citation In a poetic voice at once accessible ...
O. D. Macrae Gibson points out that the function of pyȝt as a concatenating word stresses its capacity to mean both arrayed and set.8 Gordon glosses the word as varying in sense throughout the poem between “set,” “fixed,” and “adorned” ...
This riveting poetry collection is a fresh and witty account of thoughts and experiences that everyday people have in their day-to-day lives.
SELL. IT. SOMEWHERE. ELSE. Well, you can take your good looks somewhere else Cuz they're not for sale 'round here... I've heard about you and the things you do And I don't need you anywhere near. Yeah, I've met your kind a time or two ...
I was indeed fortunate in being able to recruit a pair of talented , conscientious , and unfailingly cheerful draftsmen in the persons of Julie Baker and Kathi Donahue ( now Sherwood ) to collaborate with my wife , Sally , in producing ...