This major illustrated study investigates farmhouse and cabin furniture from all over the island of Ireland. It discusses the origins and evolution of useful objects, what materials were used and why, and how furniture made for small spaces, often with renewable elements, was innate and expected. Encompassing three centuries, it illuminates a way of life that has almost vanished. It contributes as much to our knowledge of Ireland's cultural history as to its history of furniture. Lavishly illustrated with a mass of the author's own photographs, mostly in colour and many previously unpublished, it draws on several decades of fieldwork, underpinned by academic research. It looks at influences such as traditional architecture, shortage of timber, why and how furniture was painted, and the characteristics of designs made by a range of furniture makers. The incorporation of natural materials such as bog oak, turf, driftwood, straw, recycled tyres or packing cases is viewed in terms of use, and durability. Chapters individually examine stools, chairs and then settles in all their ingenious and multi-purpose forms. How dressers were authentically arranged, with displays varying minutely according to time and place, reveal how some had indoor coops to encourage hens to lay through winter. Some people ate communally or slept in outshot beds, in the coldest north-west, this is illustrated through art as well as surviving objects. Hanging cradles and falling tables are discussed. A chapter is devoted to the hearth and the shrine, another focuses on small furnishings, such as horn spoons, wooden drinking vessels, basketry, tin-ware, aluminium, coarse earthenware and spongeware pottery.
This book-the first study of vernacular furniture in Ireland-investigates the origins and distribution of the common furniture of the Irish people.
A preoccupation with the finest period furnishings of the upper classes of English society has, until very recently, dominated the literature on antique furniture, resulting in a neglect of the...
Part of the appeal of vernacular furniture is that in order to understand it one must look closely at social history and lifestyles that are at some levels primitive and...
The 35 woodworking projects in this book come directly from Sweden¿s past, and the original pieces can be seen in Swedish museums.
Dealing with each type of furniture individually this is an exploration of a material culture that is fast disappearing.
This book is perfect for anyone who seeks ideas for their own Irish-inspired interior, or for those who simply want to dream... * From the author of the best-selling French Home (more than 37,000 copies sold). * An easy-to-achieve, ...
Above all the book envisages basketry as an intellectually rewarding means of knowing. It presents the craft as embodying care for skilled making and for the social and natural environments in which it flourishes.
A New York Times Best Art Book of 2019 “A riveting book . . . few stones are left unturned.”—Roberta Smith’s “Top Art Books of 2019,” The New York Times This fascinating and enlightening study of the tie-on pocket combines ...
John T. Prendergast, “Some Account of Sir Audley Mervyn etc.,” Transactions of the Royal Historical Society 3 (1874). ... There is no mention of Cottington in Frances Haskell's study of the formation and dispersal of the collections of ...
With his informative commentary and over one hundred meticulous illustrations, Aldren A. Watson offers an introduction to the tradition of country woodworking in Country Furniture.