Hidden behind the portraits of Frida Kahlo is the remarkable story of the artist’s life. It is precisely this combination that attracts the spectator. Frida’s work is a testimony of her life; it is not often that one can understand an artist simply by looking within the frame of their paintings. Frida Kahlo is without any doubt Mexico’s gift to art history. She was just eighteen when a terrible accident changed her life forever, leaving her disabled and in constant pain. But her explosive temper, her unwavering determination and her eagerness gave her the strength to develop her artistic talent. Always at her side was the great Mexican painter and muralist Diego Rivera. His compulsive womanizing did not prevent Frida from captivating him with her charms, her talent and her intelligence. She quickly learnt to make the most of Diego’s success to discover the world, creating her own legacy along the way and being surrounded by a very close group of attentive friends. Her personal life was stormy: several times she left Diego in order to have relationships with people of both sexes. Nonetheless, Frida and Diego were able to save their deteriorating romance. The history and the paintings that Frida left us reveal the story of a brave woman in constant search of her identity.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...