The International Contest of Contemporary Drama (ICCD ) was set up by Belarus Free Theatre to encourage new writing and topromote Belarusian cultural identity on an international stage with the participation of artists around Europe. Belarusian playwrights, banned within their own country but recognised for their workoutside, have the opportunity to show their work in Belarus. It also includes the work of foreign playwrights in an international cultural context, and in which Belarus would have its place for the first time. The ICCD has produced playwrights such as Anna Yablonskaya, Aleksey Shcherbak, and Pavel Pryazhko – whose plays have been produced at the Royal Court Theatre – and brothers Mikhail and Vyatcheslav Durnenekov who have written for the Royal ShakespeareCompany. The contest, one of the top three of its kind in central Europe, has enjoyed success since its conception in 2005, garnering critical acclaim, but was discontinued in 2010 due to a lack of funds. 2014 is the first year it has been held in a free country. In previous years it was held underground in Belarus, hidden from the authorities.BFT have now reinstated this contest, and increased the diversity of participants in order to include Belarusians who remain isolated because of the state policy on internet censorship and media control. This publication is dedicated to promoting the works of the winning playwrights, and is published to coincide with an award ceremony at the Young Vic Theatre in London. In 2014, BFT received 523 submissions from 12 participating countries:Russia, Ukraine, Belarus, USA, Germany, UK, Israel, Kyrgyzstan, Kazakhstan, Azerbaijan, Georgia and Estonia. The winning plays in this collection are in 3 main categories: Best Full-Length Play; Best Experimental Writing for Theatre/Short Play; Best Adaptation of a Classic Text; plus a special award, The Tom Stoppard Award for Best Debut. The ICCD, and Belarus Free Theatre: New Plays from Central Europe, reconnects the Belarusian people with their independent artistic voice and their cultural identity within a European context. Medved / The Bear - WINNER Adaptation of a Classic Text Signals of Reconciliation - WINNER Full-Length Play Radio Culture - WINNER Experimental Writing for Theatre/Short Play Prestige - WINNER Tom Stoppard Award for Best Debut
A pioneering study by Philip Timberlake, long ignored by mainstream scholarship, revealed the huge difference in the number of lines with feminine endings ...
Questioning the lengths people should go in the name of a cause, Timberlake Wertenbaker's Winter Hill premiered at the Octagon Theatre, Bolton, in May 2017.
The Love of the Nightingale
Based on a historical incident.
Karen Cunningham looks at contemporary records of three prominent cases in order to demonstrate the degree to which the imagination was used to prove treason: the 1542 attainder of Katherine Howard, fifth wife of Henry VIII, charged with ...
This classic collection contains a new essay by Alan Bennett, besides the original introductions to A Private Function, Prick Up Your Ears and The Madness of King George.
When Lucy, an ordinary teenager, feels ignored by her family, she brings her childhood fantasy friend Zara back to life, only to have her materialize and bring with her a dream family for Lucy
Its greatest pleasure comes from Mr Plummer's taking you step by step through Lear's enormous changes in temperament and insight, and justifying every turn on both an intellectual and gut level. I have never seen an audience so ...
Cast: Matte Osian (Richard), Barry Smith (Bolingbroke), Frank O'Donnell (Gaunt), Kadina de Elejalde (Queen), Robert F. McCafferty (Northumberland), David W. Frank (York). Running time 93 minutes. An independent film shot on a disused ...
This edition also includes useful background information including the Potter family tree and a timeline of events from the Wizarding World prior to the beginning of Harry Potter and the Cursed Child.