This is the first collection of essays about French-language road movies, a particularly rich yet critically neglected cinematic category. These films, the contributors argue, offer important perspectives on contemporary French ideas about national identity, France's former colonies, Europe, and the rest of the world. Taken together, the essays illustrate how travel and road motifs have enabled directors of various national origins and backgrounds to re imagine space and move beyond simple oppositions such as Islam and secularism, local and global, home and away, France and Africa, and East and West.
... Laughing Mad (New Brunswick, NJ: Rutgers University Press, 2007), 203. 4. Haggins, Laughing Mad, 214. 5. Dave Chappelle, interview by Oprah Winfrey, The Oprah Winfrey Show, February 3, 2006. 6. Segment “When Keeping It Real Goes Wrong ...
Drawing on mobility studies, cultural geography and film theory, this innovative work sketches out the flexible yet distinctive parameters of contemporary French-language road cinema, and argues for an understanding of the 'road movie' not ...
Military nationalism based itself upon status quo ethnocultural values set against Soviet outside influences, while the new Left, following a similar nationalist logic of exclusion, sought to create a modern Greek state free of American ...
... December 2014]. Betz, Mark (2009), Beyond the Subtitle: Remapping European Art Cinema (Minneapolis, MN: University ... Contemporary Cinema', 16:9, no. 29 (November), http://www.16-9.dk/2008-11/side11_inenglish.htm [accessed 15 December ...
This book offers a comprehensive and systematic overview of the flourishing genre of the contemporary Latin American road movie, of which Diarios de motocicleta and Y tu mamá también are only the best-known examples.
This volume examines Bouchareb's films from an interdisciplinary perspective, exploring key influences on his output and considering new theoretical approaches to his filmmaking.
... Borders, Diasporas, Migration and “New Europe” (Edinburgh University Press, 2016) and co-edited Open Roads, Closed Borders: The Contemporary French- Language Road Movie (Intellect Press, 2013), East, West and Centre: Reframing European ...
Challenging aesthetic as well as national, cultural, and political boundaries, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders.
For more on the impact of the civil war on the Algerian film industry, see: Guy Austin, Algerian National Cinema (Manchester: Manchester University Press, 2012), 141–6. 16 Robert Lang, New Tunisian Cinema: Allegories of Resistance (New ...
By contrast, in La vie lente, there is evidently a declared concomitance with those whom Olivier Le Cour Grandmaison calls the “colonisés-immi- grés” [colonised-immigrants] of a country ... Je voyais soudain le lien entre eux et moi.