The Miserere by Italian composer Gregorio Allegri (1582-1652) is one of the most popular, oft performed and recorded choral pieces of late Renaissance/early Baroque music. Yet the piece known today bears little resemblanceto Allegri's original or to the piece as it was performed before 1870.
“Readers curious about the making of Renaissance art, its cast of characters and political intrigue, will find much to relish in these pages.” —Wall Street Journal Giorgio Vasari (1511–1574) was a man of many talents—a sculptor, ...
This is an ambitious attempt to separate what is actually known (and can be known) about Mozart from the many myths and legends that have grown up about his life and character, notably the circumstances of his death and his alleged ...
Is a man’s only choice between the brutish, rutting #MeToo lout and the gelded imitation woman, endlessly sensitive and fun to go shopping with? No. Brad Miner invites you to discover the oldest and best model of manhood— the gentleman.
This volume brings together some of the very best commentary on a wide range of recent events and controversies by some of the very best Catholic writers in the English language: Ralph McInerny, Michael Novak, Fr. James V. Schall, Hadley ...
The dramatic story of five key turning points in a thousand years of Western music - discoveries that changed the course of history.
The book also takes readers on a guided journey along the River Thames to the palaces, castles, and houses where Tallis made music for the four monarchs he served.
Herndon Spillman's landmark recording of the complete works of Duruflé won him a Grand Prix du Disque in 1973. He is Professor of Music at Louisiana State University.
often did, combine with other instruments depicted on the Table.45 In the old medieval classification, the lute was considered as a 'still' or bas instrument ... J. M. Ward, ed., The Lute Works of John Johnson (Columbus, OH, 1994).
... other allegorical maps, see Wilkins, “Vellutello's Map of Vaucluse,” 275–80; Senter, “Les Cartes allégoriques,” 133–44; Reitinger, “Mapping Relationships,” 106–30; Brinks, “Meeting over the Map,” 39–52; and Peters, Mapping Discord.
Written by the acclaimed musicologist and countertenor Nicholas Clapton, this is a perceptive and informed study of the last survivor of a perennially intriguing part of Western cultural history.