Cheer Up! is the first book to deal exclusively with the British musical film from the very beginning of talking pictures in the late 1920s through the Depression of the 1930s up to the end of World War II. The upsurge in production at British studios from 1929 onwards marked the real birth of a genre whose principal purpose was to entertain the British public. This endeavour was deeply affected by the very many emigres escaping Nazi Germany, who flooded into the British film industry during this decade, as the genre tried to establish itself. The British musical film in the 1930s reflects a richness of interest. Studios initially flirted with filming what were essentially stage productions plucked from the West End theatre but soon learned that importing a foreign star was a box-office boost. Major musical stars including Jessie Matthews, Richard Tauber and George Formby established themselves during this period. From its beginning, the British musical film captured some of the most notable music-hall performers on screen, and its obsession with music-hall persisted throughout the war years. Other films married popular and classical music with social issues of poverty and unemployment, a message of social integration that long preceded the efforts of the Ealing studios to encourage a sense of social cohesion in post-war Britain. The treatmentof the films discussed is linear, each film dealt with in order of its release date, and allowing for an engaging narrative packed with encyclopaedic information. ADRIAN WRIGHT is a performer, novelist and writer. Hisprevious books with Boydell include A Tanner's Worth of Tune: Rediscovering the Post-War British Musical (2010), West End Broadway: The Golden Age of the American Musical in London (2012) and Must Close Saturday: The Decline and Fall of the British Musical Flop (2017). He has previously written on the subject of film music in his biography of William Alwyn, The Innumerable Dance (2008), and his fiction includes the Francis and Gordon Jones Mysteries series: The Voice of Doom, The Coming Day and Forget Me Not.
Blue Skies and Silver Linings: Aspects of the Hollywood Musical
Harnick, Sheldon, 222 Harris, Julie, 188 Harris, Leonard, 152 Harris, Richard, 46, 108, 117, 121, 270 accident of 84–86 ... 123, 124, 219 Isherwood, Christopher, 228, 232 Italian Renaissance Michael Todd Theatre (Chicago), 20 Jablonski, ...
Broadway to Hollywood: Musicals from Stage to Screen
Conductor: Stu Phillips. Cast: Peanut Butter Conspiracy, Lollipop Shoppe, Ted Marckland, Stu Phillips. ANGLO! A MUSICAL CARTOON Original Cast (1984) • Justin Time ...
14, 272 Bride of the Regiment, 135, 304, 329, 421 Bright Lights, 121, 208, 330, 338, 342 Brisson, Carl, ... 8 Brook, Clive, 56, 179 Brooke, Tyler, 260, 358 Brooks, James L., 4 n.l Brooks, Louise, 83, 141 n.20 Brown, Beth, 315, 316 Brown ...
Describes how musicals work, formally and culturally. And why have they endured since the introduction of sound in the late 1920s? How are they more than glittery surfaces or escapist fare
This edited collection looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World ...
A History of Movie Musicals: Gotta Sing, Gotta Dance
Kobal gives his views on the American musical and also includes a unique and illuminating section on European musical films.
In this work, film historian Matthew Kennedy explores the downfall of a beloved genre caught in the hands of misguided creators who glutted the American film market with a spate of expensive and financially unrewarding musicals between 1967 ...