Bizet's Carmen Uncovered exposes the myths and stereotypes that so often surround this much loved opera by exploring its first staging, and the particularly Spanish contexts in which the opera was conceived, written, and staged.
This book examines three stages of cultural transfer: the opera's establishment in the repertoire; its performance, translation, adaptation and appropriation in Europe, the Americas and Australia; its cultural 'work' in Soviet Russia, in ...
Richard W. Schoch (Aldershot: Ashgate, 2003), i– xlvi; Michael R. Booth, Theatre in the Victorian Age (Cambridge: Cambridge University Press, 1991), 196ff; V. C. Clinton-Baddeley, The Burlesque Tradition in the English Theatre after ...
The wild, free heart of a different kind of Carmen beats in the pages of this book, a Carmen who is gradually revealed to us through the innocent gaze of the little boy who tells her story.
Carmen Disruption received its world premiere at the Deutsche Schauspielhaus, Hamburg, in March 2014 and its UK premiere at the Almeida Theatre on 10 April 2015.
A word-by-word translation in English and IPA, and annotated guides to the dialogue and recitative versions of the opera, this book is a complete reference for anyone studying or producing Bizet's Carmen.
This volume explores how Bizet's opera swiftly travelled the globe, and how the story, the music, the staging and the singers appealed to audiences in diverse contexts.
For more on Wagner performance in Italy in this period, see Marion S. Miller,“Wagnerism, Wagnerians, and Italian Identity,” in Wagnerism in European Culture and Politics, ed. David C. Large and William Weber (Ithaca: Cornell University ...
Sweeping and engaging, Dreyfus offers a new understanding of one of the most contested and significant moments in modern history.
Featuring beautiful hand-drawn illustrations and 8 sound-chip buttons that play short bursts of iconic pieces of music, this unique book brings to life some of the greatest composers throughout history.
3 (Vienna: Universal, 1935), §164, 98; Free Composition, ed. and trans. Ernst Oster (New York: Longman, 1979), 59. 7. Traditionally simultaneous dissonances were allowed in combined species. 8. John Clevenger, “Debussy's Paris ...