The story of how a chemical weapon went from the battlefield to the streets More than a hundred years ago, French troops fired the first tear gas grenades at the German enemy. Designed to force people out from cover, tear gas causes tearing and gagging, burning the eyes and skin. Its use has ended in miscarriages, permanent injuries, and death. While all but a few countries have agreed that it is illegal to manufacture, stockpile, or use chemical weapons of war, tear gas continues to proliferate in civilian settings. Today, it is a best-selling form of “less lethal” police force. From Ferguson to the Occupied Territories of Palestine, images of protesters assaulted with “made in the USA” tear gas canisters have been seen around the world. The United States is the largest manufacturer, and Brazil and South Korea are rapidly growing markets, while Britain has found an international audience for its riot control expertise. An engrossing century-spanning global narrative, Tear Gas is the first history of this poorly understood weapon. Anna Feigenbaum travels from military labs and chemical weapons expos to union assemblies and protest camps, drawing on declassified reports and eyewitness testimonies to show how policing with poison came to be.
An incisive observer, writer, and participant in today’s social movements, Zeynep Tufekci explains in this accessible and compelling book the nuanced trajectories of modern protests—how they form, how they operate differently from past ...
Discover the great cost and greater reward of moving from white moderate ally to antiracist abolitionist, In Baptized in Tear Gas, minister and activist Elle Dowd invites readers to experience her transformation from what Martin Luther King ...
Tear Gas Munitions: An Analysis of Commercial Riot Gas Guns, Tear Gas Projectiles, Grenades, Small Arms Ammunition, and Related Tear...
Riot Control Agents and Herbicides in War: Their Humanitarian, Toxicological, Ecological, Military, Polemological, and Legal Aspects
The rom expresses its deep regret for having contributed to antiAfrican racism. ... See also Watson, “'Pornography Disguised as Art.'” 175 Metcalfe, “The Wardens of Memory. ... Challenging Racism in the Arts, 63.
In warfare, civil unrest, and political protest, chemicals have served as means of coercion, suppression, and manipulation. This book examines how chemical agents have been justified, utilised and resisted as means of control.
This book reveals the experiences of fans, exposing the shambolic organization that destroyed all hope of segregating the crowds and asking what lessons can be learned.
After a discussion of the earliest uses of gas and other similar tactics in warfare, this book explains how our image of gas has been shaped by early pronouncements that branded it a treacherous and barbarous weapon.