The first book-length study to address Moore's significance to the Gothic, this volume is also the first to provide in-depth analyses of his spoken-word performances, poetry and prose, as well as his comics and graphic novels. The essays collected here identify the Gothic tradition as perhaps the most significant cultural context for understanding Moore's work, providing unique insight into its wider social and political dimensions as well as addressing key theoretical issues in Gothic Studies, Comics Studies and Adaptation Studies. Scholars, students and general readers alike will find fresh insights into Moore's use of horror and terror, homage and parody, plus allusion and adaptation. The international list of contributors includes leading researchers in the field and the studies presented here enhance the understanding of Moore's works while at the same time exploring the ways in which these serve to advance a broader appreciation of Gothic aesthetics.
In Teaching the Gothic, edited by Anna Powell and Andrew Smith, 29-47. Basingstoke: Palgrave, 2006. ... 1: 109-11. "Horrid” (Northanger) Novels Glock, Waldo S. ”Catherine Morland's Gothic Delusions: Bibliography 287.
Newly married, newly widowed Elsie is sent to see out her pregnancy at her late husband's crumbling country estate, The Bridge.
Three classic Gothic novels: Horace Walpole's The Castle of Otranto, Thomas Love Peacock's Nightmare Abbey and William Beckford's Vathek
Set in the village of Chapelizod, near Dublin, in the 1760s, the story opens with the accidental disinterment of an old skull in the churchyard, and an eerie late-night funeral.
'Professor Hughes has created an indispensable volume for anyone interested in Gothic studies. His scholarship is rich and elegant. This is a work to be used and cherished and frequently revisited, and will not be outgrown in years of use.
'Professor Hughes has created an indispensable volume for anyone interested in Gothic studies. His scholarship is rich and elegant. This is a work to be used and cherished and frequently revisited, and will not be outgrown in years of use.
Development ofthe Horror Genre (Jefferson, NC: McFarland, 2008); Cemetery Dance magazine; The Complete Review; Ellen Datlow's yearly “Summation” from The Years Best Fantasy and Horror (New York: St. Martin's, through the twenty-first ...
Throughout the collection, the Gothic heroine's representation is explored within the medium, which brings together image, movement, and sound, and this technological fact takes on varied significance.
De Manian deconstruction's Gothic reanimation of the machine as an autonomic nervous system can be set against the current techno-euphoria among posthumanists influenced by Deleuze and Guattari's theories of machinic assemblages.
There were many adventure writers at this time penning books about impending threat and invasion of the Empire and Dracula was well received.