Radiohead are not like other bands. For over three decades they have charted a singular course. As their music has become more beautiful, more strange and more uncompromising, the band who make it have become more popular, evolving from the indie clubs of Britain to stadia across the globe, while selling over 30 million albums. And they have done it their way. Their line-up has remained unchanged since they met at school, but these five very different characters have always remained united in their quest to keep pushing boundaries. They have changed musical direction almost as many times as they have made albums and the band who seemed destined to be one-hit-wonders when "Creep" was a global hit in the early '90s, evolved into trailblazers who have embraced rock, dance, electronica, classical music and pop without sacrificing what makes them special. Radiohead are proof that selling records need not mean selling out and this is their story.
Together, the essays form a comprehensive discussion of Radiohead's entire oeuvre, from Pablo Honey to Hail to the Thief, with a special focus on the critically acclaimed best-selling albums Kid A and Amnesiac.
This is the first ever biography of Yorke... The tale of the extraordinary drive, ambition and perfectionism of just one man.
The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads.
An extension of Caffrey's deep but often cautious love for the band, Radiohead FAQ presents a fittingly sideways look at what he's dubbed "the world’s most famous cult band.
Yorke later stated that “sucking a lemon” was the perfect way to describe his attitude during the OK Computer promo cycle. The phrase refers to “the face you pull because a lemon is so tart. That's the face I had for three 2 law, ...
They're old or they're 'multiply timed': some of the songs sound old as the hills, emerged from an oral tradition, were recorded in the late 1920s, issued by Harry Smith in the early -105-106-107~ ()K (I( )MPUTER.
reactions to Kid A, it is not surprising that reviewers concentrated on finding similarities to Radiohead's previous works and highlighted the differences. Rather than attempting a more independent genre reading like with previous ...
She just keeps running and does not “come walking back” (as she does for Roy Orbison). With one exception, “Creep” has almost nothing to do with the phenomenological tilt of post-Bends Radiohead.1 In The Bends, they began to move away ...
Acclaimed rock critic Steven Hyden digs deep into the songs, history, legacy, and mystique of Kid A, outlining the album's pervasive influence and impact on culture in time for its twentieth anniversary in 2020.
In Everything in its Right Place: Analyzing Radiohead, Brad Osborn reveals the functioning of this reconciliation of extremes in various aspects of Radiohead's music, analyzing the unexpected shifts in song structure, the deformation of ...