This is a ground-breaking exploration that runs generally against the critical grain in identifying a burgeoning production of films of fear and horror before the admission of the horror film genre per se. It is a study that reveals and emphasises the formative and innovative power of film, from Georges Méliès’s Le Manoir du Diable (1896) to Edgar G. Ulmer’s superbly reflexive The Black Cat (1934). With its focus on twenty-one key films, and referencing other relevant productions, the present study involves an inclusive and sensitive approach. It reveals an awareness of the heterogeneity of horror production with the discussion spanning the period of the invention of movies, the expansion from single-reelers to longer and continuous productions, and the advent of talkies. Stepping beyond the bounds of Anglo-American studios, in its seven chapters the book involves the work of directors from France, Spain, England, Moravia, Germany, Italy, Denmark, Mexico and the USA, to consider and compare films that have not previously received serious attention.
This book is the first study of the vampires in silent cinema, presenting a detailed academic yet accessible discussion of the films themselves and their sources.
This volume is made up of 62 comprehensive chapters with notes and extended bibliographies contributed by scholars from around the world.
... Gothic, London: Reaktion. Spooner, C. (2007) 'Gothic in the Twentieth Century', in C. Spooner and E. McEvoy (eds) The Routledge Companion to Gothic, London and New York: Routledge. Spooner, C. (2010) 'Crime and the Gothic', in C. J. ...
Bachelor Thesis from the year 2011 in the subject Communications - Movies and Television, grade: 2.1, University of Leicester, language: English, abstract: This dissertation will examine film genre and in particular the Horror genre during ...
Traces of a Lost Decade Mario DeGiglio-Bellemare, Charlie Ellbé, Kristopher Woofter. Kracauer, Siegfried. ... Last accessed July 6, 2014. Price, Michael H., and George E. ... Forgotten Horrors Vol 3: Dr. Turner's House of Horrors.
... after The Mummy Karloff returned to Britain to film The Ghoul and the British film magazine Picturegoer continued ... after his death , the Daily Boston Globe ran a long eulogy with the headline : ' Who will take Lon Chaney's place in ...
Just five months after the premiere of Body Snatchers, Kevin McCarthy appeared in the United Artists release Nightmare, in which he plays a young jazz musician who has a recurring dream that he has murdered a man in a roomful of mirrors ...
Robin Wood’s writing on the horror film, published over five decades, collected in one volume.
Traveling by car from Los Angeles to Florida, Ryan (William Butler) and Michelle (Kate Hodge) bicker like a married couple. Michelle asserts that she needs “some time on my own.” Neither brother or sister nor married couple like their ...
Nosferatu differs from most contemporary German Expressionistic films because of its use of natural locations ... The qualities of the vampire , the absence of Van Helsing , and the Max Schreck as Nosferatu , 1922 , a portrait of ...