As an intervention in conversations on transnationalism, film culture and genre theory, this book theorises transnational genre hybridity – combining tropes from foreign and domestic genres – as a way to think about films through a global and local framework. Taking the British horror resurgence of the 2000s as case study, genre studies are here combined with close formal analysis to argue that embracing transnational genre hybridity enabled the boom; starting in 2002, the resurgence saw British horror film production outpace the golden age of British horror. Yet, resurgence films like 28 Days Later and Shaun of the Dead had to reckon with horror’s vilified status in the UK, a continuation of attitudes perpetuated by middle-brow film critics who coded horror as dangerous and Americanised. Moving beyond British cinema studies’ focus on the national, this book also presents a fresh take on long-standing issues in British cinema, including genre and film culture.
Traces the giallo mystery/horror genre from its genesis in Italian cinema of the 1960s and 1970s to its contemporary place in the global cult-film canon. Italian giallo films have a peculiar allure.
... Cinemas and Horror Studies and coauthored the “Film and Horror” entry in the Oxford Research Encyclopedia of Communication with Dr. Kendall R. Phillips. Her book, Transnationalism and Genre Hybridity in New British Horror Cinema, ...
This book addresses gaps in our understanding of processes that underpin the making and circulation of children's screen contents across the Arab region and Europe.
So is the house really haunted , or is Eleanor just imagining things ? ... Hatch lunatic asylum in Middlesex , England in 1851 , and the contemporaneous banning of mechanical restraints as a means of keeping inmates under control .
The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts.
This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism.
The Legend of the Seven Golden Vampires is a hybrid genre film, which is incorporated with the conventions of Shaw Brothers' Wuxia films and Hammer Pictures' Dracula cycles. It was made in 1973 and distributed in the UK and Hong Kong ...
This book looks at contemporary Gothic cinema within a transnational approach.
This book brings together nine original chapters to examine genre agency in East Asian cinema within the transnational context.
Hong Kong Horror Cinema Edited by Gary Bettinson and Daniel Martin Dumplings stuffed with diabolical fillings. Sword-wielding zombies. Hopping cadavers. Big-head babies.